>>
SEARCH >>
EN
>>
<<

SEARCH AGAIN

CATEGORY
 
DATE
  FROM:
  TO:
  EX: 1/30/2012
KEYWORD
 
  >> Search
2018.11.12 Mon, by

Be bold, be critical at de Sarthe
de Sarthe

de Sarthe is pleased to present the event of Hong Kong Art Week 2018 'Be bold, >> Read more
思考, 2018.06.29 Fri, by

Is Sound Critical?—”Grounds for Sound” Research and Practice

Over the past few years my research has focused on the development of sound art and experimental music practices in China since the early '90s. My approach to these practices has been strongly influenced by the idea that sound can be critical. >> Read more
思考, 2015.05.27 Wed, by

The Implicit is Insufficient: Simon Denny at PS1

Orit Gat considers an ambitious show by Simon Denny in New York. >> Read more
思考, 2015.02.15 Sun, by

Critique is the Beginning of Dialogue

The title of this nine-person group exhibition is taken from Slavoj Zizek’s proposition that boredom is the beginning of every authentic act. “Without boredom,” he says “no creativity. If you are not bored, you just stupidly enjoy the situation in which you are... >> Read more
思考, 2014.11.21 Fri, by

Active Withdrawals-Life and Death of Institutional Critique

Active Withdrawals-Life and Death of Institutional Critique. Book Launch and Conversation (English/Chinese event with simultaneous interpretation) >> Read more
思考, 2010.12.25 Sat, by
思考, 2020.11.28 Sat, by

Miriam Cahn and Claudia Martínez Garay
TEN THOUSAND THINGS
Sifang Art Museum, Nanjing

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇,创作者在雾中迷失、低吟高唱,在她以感官展开的画卷里,山体长着血脉,表现在痛苦中挣扎的情感;房屋是毕露的线条,释放出包裹或缠绕的明亮;动物们目光空洞、身体脆弱,多半没有耳朵。同样,她以缤纷的色块和线条声张她简明而灿烂的直觉领域,然而她情感的世界却深沉而阴郁,与身体的感官联系深刻,不能轻易的揣度。 >> Read more
艺术家档案, 2020.10.11 Sun, by

“Right: to Write ________”:
Toward a Democalligraphic U-topia

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more
Think, 2020.07.05 Sun, by

扩展场域的展览:论中国当代艺术展览的空间转向

(中文) 近10年来的中国当代艺术展览的空间观念主要呈现以下几方面的趋向,主要表现可以概括为:绘画作品展陈的空间化和装置化;作品与场所的意义叠加,独立空间的兴起;扩展场域的展览:作品和展览的跨媒介性与在地性;走向虚拟空间。 >> Read more
Think, 2020.05.09 Sat, by

Wu Chi-Tsung Opens a New Studio in Saigon, Vietnam

Recently, Wu Chi-Tsung has set up a new studio in collaboration with Vietnamese artist Cam Xanh in Saigon, Vietnam as a significant step of his internationally-minded exploration. >> Read more

Next Page »