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Galerie Urs Meile is delighted to announce the opening of the new exhibition space in the 798 Art District in Beijing with an inaugural exhibition by Qiu Shihua. >> Read more

Since its establishment in 1992, Galerie Urs Meile has contributed to the presentation and dissemination of contemporary art, from painting and sculpture to photography, installation and video. The gallery is working from two locations: Lucerne (Switzerland) and Beijing (China). While its center of operations is based in Switzerland, the Beijing gallery has established itself as […] >> Read more

(中文) 近期，由策展人杜曦云策展的《持久的魅力：黄锐、高氏兄弟、张大力》在798艺术区的1×3画廊开幕。这次展览展出三位艺术家：黄锐、高氏兄弟、张大力的最新作品， >> Read more

(中文) 第二届Almost Art Project (中文：绘素计划，以下简称AAP)将于2016年6月9日至19日在北京798艺术区回归。 >> Read more

From June 20th to September 7th, 2021, Wind H Art Center will present the exhibition “To Be the Better One —The Methodology of the New Generation New Work, New Identity, New Life, New Direction”. This exhibition will shed light on the novel artistic phenomena presented by the most representative new generation of artists in the […] >> Read more

While the COVID-19 pandemic continued extending its reach across the globe, the month of May in Beijing, with the return of Gallery Weekend Beijing and two new museums opening, seemingly saw the Beijing art world bouncing back to a steady drum of exhibitions. Yet the emergence of new cases of COVID-19 in early June (at Xinfadi Market, Beijing) put Beijing on edge once more. >> Read more

If we really need to find it out, we may best say that as long as there is the individual, oppressed by reality and the difficulty in expressing their emotions, this passive way of resistance will inevitably reappear. >> Read more

The HdM gallery is currently hosting an exhibition of French artist Martial Raysses’s works on paper. Born in 1936 in a ceramicist family, Raysse is perhaps one of the most important and well-known artist of the contemporary art French scene. >> Read more

(中文) 大多数情况下，在当今商业化程度甚高的艺术界，一个画家没有找到个人符号并固定下来，有可能是他眼界有限，接触时代的面儿太窄，加之不善归纳、不够博闻强记；还有一种可能恰恰相反：接触的东西太多，入时代之戏太深，而忽略了“艺术家”的职业角色。倪军显然属于后者。 >> Read more

(中文) 高远策划的“基底”展览或许是个提醒，无论它的成与败，都在提醒我们应把更复杂的社会现实作为基底，在此之上思考艺术与创造，我们必须主动卷入艺术史与现实纠缠的漩涡中， 而非仅仅陷于形式的自恋与作茧自缚中。 >> Read more