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2018.03.13 Tue, by

AI WEIWEI
Refutation
Tang Contemporary Art Hong Kong

Tang Contemporary Art is proud to announce “Refutation,” Ai Weiwei’s second solo exhibition from March 26 to April 30, 2018 at the gallery’s new space in H Queen’s. >> Read more
Think, 2016.02.05 Fri, by

Ai Weiwei on the Beach

In a state of shock, many asked, “Can he really do this?!” >> Read more
Think, 2014.06.27 Fri, by

The (Continuing) Story of Ai—From Tragedy to Farce

In recent weeks Ai Weiwei has become embroiled, yet again, in apparent controversy. Paul Gladston comments.
 
 
>> Read more
Interviews, 2013.01.15 Tue, by

I am the World, I Want to Be Forgotten: Interview with Ai Weiwei

Randian Editor Iona Whittaker in conversation with Ai Weiwei — Chinese artist, writer, filmmaker and commentator — at his Beijing studio. The year 2012 marked his release from house arrest and the film "Never Sorry".... >> Read more
Interviews, 2010.12.25 Sat, by
Think, 2017.01.26 Thu, by

The Interpretive Power of a Politics of Happiness

A first for modern times, our historical narratives are moving out of tragedy and into comedy, and like it or not, this will be a major turning point. >> Read more
思考, 2016.12.21 Wed, by

Schisms among Artists and the Production of Discourse

Recently, I came across a conver­sation between Walter Benjamin and Bertolt Brecht (in the former’s book Understanding Brecht, first published in 1966)... >> Read more
思考, 2016.10.27 Thu, by

FIAC 2016, da da da

Amid a very tense atmosphere in Paris, Chris Moore reviews its prime art fair, FIAC. >> Read more
思考, 2016.06.23 Thu, by

Ran Dian Design: Basel Pavilions

Pavilions were everywhere at Basel this year. Dan Graham of course, but also more widely John McCracken, ...and all through Design Miami / Basel. >> Read more
思考, 2015.06.26 Fri, by

Art Basel 2015—The Pleasure Dome

Ah Basel, here we are again, like Swann returning to Odette. Each year the Bratwurst are more expensive than the year before but they come so snuggly packed in a Swissly folded napkin. You can't say no.
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