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2020.10.30 Fri, by

Thao Nguyen Phan’s Becoming Alluvium at Chisenhale Gallery, London

by Alice Gee Thao Nguyen Phan ‘Becoming Alluvium’ Chisenhale Gallery (64 Chisenhale Rd, Bow, London E3 5QZ) Sept. 26, 2020 – Dec. 6, 2020 Thao Nguyen Phan’s Becoming Alluvium, comprising a single-channel video and a series of lacquer and silk paintings, arrives at the Chisenhale Gallery in London after exhibitions in Brussels and Barcelona. In these […] >> Read more
Interviews, 2020.09.24 Thu, by

Han Feng interview
surface and erasure

In 2019 Han Feng moved with his family from Shanghai to Berlin. After establishing his new studio, he began working on a new series of paintings in which the support – the ‘stretcher’ – comprises an object, usually a household item Han Feng found in a junkshop in the city >> Read more
Artist profiles, 2020.09.23 Wed, by

The Maschkera
A story inspired by Han Feng’s new work

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more
Interviews, 2020.03.16 Mon, by

Lu Yang Devil Kaiju Kills Painting !
(Marilyn Manson says hi)

Lu Yang’s ‘debut’ and Chen Tianzhou’s ‘Backstage Boys’ at BANK stimulate the senses to the point of overload. The gallery is a kitsch carnival where, for instance, the rock star Marilyn Manson is depicted as an ‘enchanting, vicious snake demon’ who resists the fiery attack launched by the Cabalesh Brothers >> Read more
Interviews, 2020.03.16 Mon, by

Chen Tianzhou ‘Backstage Boys’ at BANK Shanghai

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more
Interviews, 2019.12.03 Tue, by

Li Jingxiong X Nik Kosmas
Sifang Art Museum, Shanghai Pop-up

by Alice Gee Sifang Art Museum Shanghai pop-up (Jing’An District) 8 Nov.-8 Dec. 2019 I stand beside three large rings mounted on white platforms at equidistant intervals. Nik Kosmas is talking about 13 years ago and being 20 someplace else. ‘I’m 21!’ I blurt out. I edge back and hope one of Li Jingxiong’s tarpaulins […] >> Read more