Reports on the art market are suddenly very hip. The art market is still such a tiny little thing compared with other markets, like pork bellies or copper, but a sufficient number of investment bank clients are involved in it to make the analysis worthwhile. The trouble is that most reports are rubbish, with a few exceptions.
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For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more
I stepped off the plane, inhaled deeply, and choked on the news that America had elected Donald Duck as president. Had the plane actually crashed in a massive ball of fire without me noticing? >> Read more
Yuz Museum is proud to organize for the first time in Asia, the Chinese premiere of Shadows by Andy Warhol: “a monument to impermanence” (Holland Cotter, New-York Times). >> Read more
Yuz Museum Shanghai is honored to announce its upcoming “OVERPOP”, anexhibition based on the Yuz Collection and a curatorial dialogue derived fromit. >> Read more