randian | 燃点

Art Basel Hong Kong is an annual chance to visit galleries whose programs don't always reach beyond the region. >> Read more

We are pleased to present Karo, an exhibition of paintings by Raphaela Simon. >> Read more

In early September, Shanghai Center of Photography (SCoP) will present you seven leading photographers/publishers, home and abroad, in three excellent talks on professional photography books, on September 9 & 10. >> Read more

Although Ji Dachun’s his works occupy a special role in a Chinese context, he has created his own personal aesthetic in a seemingly playful way. The past and the present that interest him refer to the experiences of the individual and not a society’s political situation. >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

The sound and fury of Singapore Art Week has long since come and gone, its associated fair(s) evaporating till next year. In its wake, however, a fresh crop of exhibitions have sprung forth—here follows, in no particular order, some particularly noteworthy examples. >> Read more

Step into a packrat’s lair, and you see wall-to-wall clutter choking up the space. Hoarding can be such a compulsive psychological disorder that it debilitates a person’s social functioning and sense of reality. >> Read more

Rossi & Rossi is pleased to announce "Deity of Doubt", an exhibition of new works by Russian-born, Macau and Hong Kong–based artist Konstantin Bessmertny. >> Read more

The programme for Liverpool Biennial 2016, the largest contemporary art festival in the UK running from July 9 to October 16, has been announced by Sally Tallant, Director of Liverpool Biennial. >> Read more

Rockbund Art Museum is proud to present its latest group exhibition, “Tell Me a Story: Locality and Narrative.” >> Read more