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February 24, 2017, Vancouver, BC – Opening on March 4, 2017, at the Vancouver Art Gallery, Vancouver-based artist Howie Tsui’s solo exhibition Retainers of Anarchy is an amalgamation of martial arts characters and techniques woven together with threads of social and political realities of present-day Hong Kong. Presented as a non-linear counter narrative in the […] >> Read more

The Vancouver Art Gallery is pleased to present Pacific Crossings: Hong Kong Artists in Vancouver, an exhibition showcasing the work of David Lam, Paul Chui, Carrie Koo and Josh Hon, created before and after their relocation to Vancouver throughout the 1960-80s. >> Read more

AAA Booth P9, Institutions and Bookstores Area on Level 1 Concourse, Art Basel, Hong Kong Convention and Exhibition Centre >> Read more

he Vancouver Art Gallery is proud to announce the establishment of the inaugural international Asian Art Council to advise and guide the activities of the Institute of Asian Art (IAA) >> Read more

The Vancouver Art Gallery has recently mounted not one but two large-scale exhibitions in order to inaugurate the newly established Institute of Asian Art. This also highlights how Vancouver, the city with the highest proportion of Asians outside Asia, embraces cultural diversity... >> Read more

A low, flat jumble of dusty wreckage.sits one meter or so above the surrounding downtown sidewalk, but its sides descend to an oddly contrasting edge, a trim rectangle fifteen by eight meters. MadeIN Company’s “Calm” is public art at its best—big and familiar, yet challenging, subtle and brash. Love it or hate it, it provokes a response from everyone. >> Read more

memeFor the latest installation at Offsite, the Gallery's outdoor exhibition space on West Georgia at Thurlow Street, MadeIn Company creates a fiction that uses subtlety and mistaken identity to prompt passers-by to reconsider their perceptions. At first appearing to be debris from a demolition or recent disaster, Calm is an installation that breathes life and ambiguity into a pile of bricks. >> Read more

The messages of most of the art works in “Virtual Voices” are restrained, perhaps a little too subtle for audiences in Vancouver to grasp given the cultural context of the art — the exception being Remon Wang’s political cartoons. >> Read more