randian | 燃点

Yuz Museum is pleased to present Melike Kara’s first solo exhibition in China, “A Taste of Parsley,” from July 7th to September 9th, 2018 at Yuz Project Space of Art >> Read more

Amidst the proliferation of private art museums in Shanghai and around China, smaller collector spaces are also opening with more modest but also more focused ambitions. Influential Shanghai collectors, Andrew and Lingling Ruff, opened 166 Art Space in late 2017. Its third show, curated by Josef Ng, opens this month. Ran Dian: Andrew, what brought […] >> Read more

FIAC opened this week with 192 galleries exhibiting from 29 countries. Ran Dian spoke with Jennifer Flay, FIAC's director. >> Read more

Art Basel announced today the details of its fourth edition in Hong Kong, taking place for the second time in March. >> Read more

Among Chinese contemporary art group which is initiated from the early1980s, the southwestern artist community bonded by Sichuan Fine Arts Institute, is always one of the most hard-core strength, from Scar Art, 85 New Wave, Post 89 New Art and even to young generation artist groups. >> Read more

The southwestern artist community, bonded by the Sichuan Fine Arts Institute, was always one of the strongest. >> Read more

Among Chinese contemporary art group which is initiated from the early1980s, the southwestern artist community bonded by Sichuan Fine Arts Institute, is always one of the most hard-core strength, from Scar Art, 85 New Wave, Post 89 New Art and even to young generation artist groups. >> Read more

On March 9th, 1960, in the Paris International Contemporary Art Gallery, Yves Klein applied IKB to the bodies of three women, and made them roll, pull and drag on the canvas set both on the ground and the walls. >> Read more

White Cube is pleased to present an exhibition of new works by Larry Bell. This exhibition, his first in Hong Kong, will include a new series of sculpture and works on paper. >> Read more

While the minimum and average quality of art displayed was noticeably higher than last year (better galleries, minimal kitsch) the art displayed was generally conservative—innovation was seldom seen... >> Read more