randian | 燃点

(Guangzhou, March 30, 2019) The solo exhibition of German female artist Katharina Grosse: >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

From July 6 to August 14, 2018, the Guangdong Museum of Art hosts the exhibition ‘PAINTING AFTER PAINTING AFTER PAINTING AFTER: IMAGE-MAKING IN CONTEMPORARY GERMANY’, presenting four of the most accomplished mid-career painters of Germany today: Franz Ackermann, Benjamin Appel, Thomas Scheibitz and Katja Strunz. The exhibition is a pilot project that in exemplary ways introduces the state-of-the-art in German post-painting developments […] >> Read more

Guangzhou Opera House is a Chinese opera house in Guangzhou, Guangdong province, People’s Republic of China. Designed by Zaha Hadid, it opened in 2010. The theatre has become the biggest performing centre in southern China and is one of the three biggest theaters in the nation alongsideBeijing’s National Centre for the Performing Arts and Shanghai’s […] >> Read more

The main idea of those group-exhibitions was too show the new generations of Asian Artists with a special selection group show from China, Greater China ( Taiwan, Hong Kong,) South-East Asia (Singapore) and Korea >> Read more

Sea Pearl White Cloud is a project realised through a collaboration between 4A Centre for Contemporary Asian Art, located in the heart of Sydney’s Chinatown >> Read more

A two-stage exhibition at Guangzhou’s Observation Society and Sydney’s 4A Centre for Contemporary Asian Art highlights unique urban conditions across two cities. >> Read more

I am not going to tell you the truth anymore. It would take too long and maybe it will change anyway. As Dr Yu Tsun comments “Having read various interviews and articles on Zheng, I have some idea ... but no one has really got to grips with why he is an artist.” >> Read more

Pipilotti Rist’s work suits Guangzhou. All the swirling colors and trippy close-ups of flowers, sky, cloth and fecund earth complement a visit to this southern city, where deep pink flowers wave by the roadside and creepers cover the flyovers. “Gentle Wave In Your Eye Fluid” is the title of the exhibition, characteristic of Rist’s goggling mode. >> Read more