randian | 燃点

On 4th March, 2017, the Shanghai Minsheng Art Museum will present “The Weather War”, a special commissioned exhibition produced by curator Kaimei Olsson Wang and the Swedish artists duo Bigert & Bergström (Mats Bergart and Lars Bergström, B&B). This will the artistic duo’s first large scale solo exhibition in Asia. The Weather War is a […] >> Read more

Steyerl's work is so cogent because, as a provocateur, she is able to coherently foreground the mechanisms of art that have long been buried and ignored. As Steyerl herself says: Too Much World. >> Read more

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more

Hao Jingban’s first solo exhibition at Blindspot Gallery — “Uninvited Guests” – will feature three new video works from the artist’s most recent project using the Manchukuo of the 1930s-40s as background. The artist conducts historical investigation, archival research, field study and personal interviews, tracing back to the propaganda, drama and documentary films, as well as related figures, from the period of the Manchukuo Film Association. >> Read more

The exhibition starts with "Firing". This first part, consisting of 162 pieces of target paper, as if cobblestones along the river of war, forms a path leading to every corners of the whole show. >> Read more

Para Site is delighted to present A beast, a god, and a line, curated by Cosmin Costinas. >> Read more

Gallery 55 is proud to present artist Yu Aijun’s solo exhibition "Timetable Occupying Station" from the 24th of March through the 22nd of April 2018. >> Read more

Almine Rech Gallery Paris is pleased to present the first exhibition by danish artist Per Kirkeby with the gallery, featuring a selection of large-scale paintings and  bronze sculptures. >> Read more

We are not only living in an era that witnesses mass mobilization caused by globalization. From the migration of population driven by production >> Read more

Art has no equivalent of the Skyscraper Index, the notion that record-breaking towers tend to be built, hubristically, just prior to an economic crisis. The top end of the art world seems to ignore crises altogether (at least the part that doesn’t invest in tall buildings). Inflationary tendencies are observable in the art world, though, in uppity auction prices, the spread of private museums and art storage facilities and, seemingly, in art itself, no doubt partly to fill all the cavernous museums being built. >> Read more