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2018.11.02 Fri, by

Takashi Murakami In Wonderland
Perrotin Shanghai

Perrotin Shanghai is pleased to present an exhibition by Japanese artist Takashi Murakami. >> Read more
Interviews, 2018.03.14 Wed, by

Grand Kanaal — interview with Axel & Boris Vervoordt

Axel Vervoordt is one of the most influential interior designers of his generation but he started his career as a collector and art dealer. In recent years, Axel has returned to this with his son Boris, who leads the gallery in Antwerp and Hong Kong, as well the company’s architecture and design business. >> Read more
艺术家档案, 2018.03.11 Sun, by

Secundino Hernández
“All is too much”
at CAC Malaga

As Groys notes in the opening passage of his essay, “On the New”, “We experience art history first of all as represented in our museums.” One might add, to be glib with Marx—and why not? —, secondly as farce. >> Read more
艺术家档案, 2017.10.20 Fri, by

LU YANG
‘Hell’ in Berlin

Hell here is an opulent info overload, data is religion, A.I. is unhinged, google images are the panopticon of the gaoler-prisoner, miasma is Miami and resistance art is futile. I kept thinking of Kanye West's Monster track—but only the bits with Nicky Minaj. >> Read more
艺术家档案, 2016.11.16 Wed, by

Announcement of the Founding of the Kunsthalle for Music

Can we imagine a space for music that exists outside of any media and beyond the stage? A space for unrecordable music, music of undefined duration, existing even when no audience is present? >> Read more
Artist profiles, 2014.12.15 Mon, by

Anselm Reyle: Prove Our Love

Leading Australian conceptual artist Scott Redford muses on the place of Anselm Reyle in current postmodern discourse. Reyle, born 1970, retired this year despite being one of the most prominent German artists. >> Read more