Generous Lessons: Revisiting Felix Gonzalez-Torres
Why Felix Gonzalez-Torres, and why now? What are the nuanced relationships to identity and aesthetics we could distill from his oeuvre that might help us contribute to social change? >> Read more
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History Lessons: Reflections on OCAT Publishing / Alternatives to Ritual: A Case Study of Shenzhen OCT Contemporary Art Terminal
Shenzhen OCT Contemporary Art Terminal (OCAT) is proud to present two exhibitions that were opened simultaneously on January 26 and are running until March 26, 2013. >> Read more
“Son”: Politicizing Familial Relations
It is not often that one witnesses male vulnerability in group exhibitions nowadays. “Son: Signal of Authority”, co-curated by Boliang Shen and Zhanglun Dai at the non-profit space inCube Arts in New York was an exception. >> Read more
Ashley Bickerton
Seascapes At The End Of History
Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Zhang Peili “The Annual Report of OCD”
Rén Space, Shanghai
This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more
Crossfades and Drawn Forms
Golnaz Fathi, Lan Zhenghui duo exhibition
Pearl Lam Galleries
Singapore—Pearl Lam Galleries is pleased to present Crossfades and Drawn Forms, a duo exhibition featuring a selection of works by Iranian artist Golnaz Fathi and Chinese artist Lan Zhenghui. Transforming the gallery interiorinto an echo chamber of lines and interventions, the exhibiting works include paintings, a series of lightboxes, and a video projection. >> Read more
Local Variants
The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more
Larger than Life—AA Bronson and Alvin Li in Conversation
Perhaps no one in the western art world today has more to say about a whole host of topics, from independent publishing, to queer history, to dealing with loss and hope, than AA Bronson. >> Read more
Ears Set Free
(中文) 作为一个业余艺术写作者，我时常在展览上对作品背后的意义揣摩猜度，斟酌字句去权衡对作品的理解和对现状的思考，在这过程中消耗了太多感受的能量，在时下你方唱罢我登场，层出不穷费解的局面中，也常迷离出戏，此时此刻，音符所施予的力量却是如此简单和直接。 >> Read more
Lu Chao: “Black Box”
The smile is a cliché of contemporary art in China. Apparently, anyway. >> Read more
