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2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
艺术家档案, 2020.09.01 Tue, by

Show and Tell: Cao Yu’s Gendered Embodiment

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more
Artist profiles, 2020.06.17 Wed, by

Liu Xi’s Paradox

Echoes of the transgressive works of the early 2000s resound in the ceramics practice of Liu Xi (b.1986, Zibo, Shandong). Liu’s frank exploration of gender and sexuality is courageous. >> Read more
Artist profiles, 2016.09.07 Wed, by

LUCAS IHLEIN
TREVOR YEUNG
“Sea Pearl White Cloud”
Guangzhou’s Observation Society
4A CCAA

Sea Pearl White Cloud is a project realised through a collaboration between 4A Centre for Contemporary Asian Art, located in the heart of Sydney’s Chinatown >> Read more
Artist profiles, 2016.08.16 Tue, by

Wang Zhibo: “There is a place with four suns in the sky – red, white, blue and yellow”

Tropical sceneries that appear to scintillate; an amalgamation of distorted vegetables; the blurred vision of a seated mother and child – each are running explorations in Wang Zhibo’s (b. 1981, China) solo exhibition at Edouard Malingue Gallery ‘There is a place with four suns in the sky – red, white, blue and yellow’, which takes […] >> Read more
Artist profiles, 2013.03.25 Mon, by

In Grandmother’s House

Writer Luise Guest examines the banal and the beautiful in the work of Gao Rong and Dong Yuan, two Beijing-based women artists who deal with issues of memory and domesticity in their work.
 
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