randian | 燃点

With the slogan “We Are Asia,” Art Stage Singapore returns next week for its fourth annual edition. Randian previews this year's fair, with comments from founding Director Lorenzo Rudolf. >> Read more

Broad beyond belief, in cultural terms, in comparison with the millennia-spanning survey “China: 5,000 Years” or the more standard national survey shows still favored by mid-sized institutions today, the exhibition's remit is both ambitious and impossible. >> Read more

by Alice Gee Thao Nguyen Phan ‘Becoming Alluvium’ Chisenhale Gallery (64 Chisenhale Rd, Bow, London E3 5QZ) Sept. 26, 2020 – Dec. 6, 2020 Thao Nguyen Phan’s Becoming Alluvium, comprising a single-channel video and a series of lacquer and silk paintings, arrives at the Chisenhale Gallery in London after exhibitions in Brussels and Barcelona. In these […] >> Read more

From March 30 to April 2, 2017, the 19th edition of the Art Paris Art Fair will play host to some 130 modern and contemporary art galleries at the Grand Palais. >> Read more

The main idea of those group-exhibitions was too show the new generations of Asian Artists with a special selection group show from China, Greater China ( Taiwan, Hong Kong,) South-East Asia (Singapore) and Korea >> Read more

Swimming in Sand; Growing Rice Under an Umbrella presents a new generation of leading contemporary artists from Southeast Asia, highlighting works that have never before been shown in Australia. >> Read more

Han Sai Por is a Singaporean artist born in 1943. Having studied abroad, she returned to Singapore in 1983, and has since become an internationally-acclaimed artist—particularly for her stone sculptures based on natural forms.
 
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Jason Wee is a Singaporean artist and the founder of Grey Projects, a non-profit artists’ space in Singapore. Here, he tells Iona Whittaker about the origins of the space, its activities and future, working in a censored state and the Singaporean art scene. >> Read more

Borrowing from the Art Basel model, Art Stage Singapore has this year sought to emphasize content, and to integrate it closely with the sales imperative of the fair. >> Read more

This exhibition aimed to puncture the sanguine spirit of the Singapore Biennale. Seldom does one have the opportunity to see the distinctive contemporary art from Central Asia, and this show only whets one’s desire to see more of it. >> Read more