Clinton, NY – The vignettes depict a leering man with a pig’s snout, another in a rumpled suit, a hunchback hag with a snaggle-toothed grin, and a peasant with a jowly frog face, all protagonists in Yun-Fei Ji: >> Read more
The purpose of a whirlwind museum tour was to explore what China might do with roughly 5,000 new museums built in the past decade. This is a phenomenon marked by a dearth of reliable information.
Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more
The 2018 Exhibition of the Annual on Contemporary Chinese art is not organized thematically, but presents a summary outlook of contemporary Chinese art in 2018, relating artistic practices, theories, exhibitions and art phenomena, etc. It is a continuation of the archival work conducted by the Chinese Modern Art Archive (CMAA) since 1986. >> Read more
Simon Lee Gallery, New York, is pleased to present Studio Photography:1887-2019, a wide-ranging survey exhibition featuring work by a diverse group of artists whose studio-based practices span the past 130 years. During this time period, the establishment of photography as an artistic medium, the ensuing major advancements in image capture technology and the resulting evolution […] >> Read more