randian | 燃点

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

MadeIn Gallery is pleased to present “Flickering Boundaries” opening on January 19, 2018, and showcasing the works of Elliot Dodd (U.K., b. 1978), and Xu Zhen® (2013), Yang Jun (b. 1963), Zhang Lian (b. 1984), Zheng Yuan (b. 1988) and Zhu Yu (b. 1970). The term “boundary” defines an area, which isn’t restricted to a […] >> Read more

de Sarthe Gallery and Art Agenda, S.E.A. is pleased to announce Departures: Intersecting Vietnamese Modern Art with R. Streitmatter-Tran, an exhibition of contemporary and modern Vietnamese art that tracks the flow of artists and ideas between Vietnam and the West over the last century. >> Read more