randian | 燃点

UCCA Beijing presents “Elizabeth Peyton: Practice,” the first solo exhibition in China by the artist, a leading figure in contemporary painting. >> Read more

Civilization: The Way We Live Now presents more than 250 works by over 120 of the world’s most renowned photographic artists, >> Read more

From 19 September to 19 November 2016 , the Ullens Center for Contemporary Art (UCCA) presents “Zeng Fanzhi: Parcours”, >> Read more

Nadim Abbas (b. 1980, Hong Kong) constructs complex set pieces that examine the technohistorical properties of images and their precarious relationship to reality. >> Read more

On June 30, it was announced that Baron Guy Ullens is looking to sell Beijing’s Ullens Center of Contemporary Art (UCCA) along with his art collection. >> Read more

The Ullens Center for Contemporary Art (UCCA) is proud to present “Rauschenberg in China”. On view in UCCA’s Great Hall from 12 June to 21 August 2016, >> Read more

“Trace of Existence” explores the basic idea of the work of art as a record of its own creation. >> Read more

Yesterday's openings at UCCA: Duchamp, MAP Office and Multitude Art Prize >> Read more

UCCA Center of Contemporary Art Spread over three factory chambers built in the early 1950s to Bauhaus-influenced designs, UCCA’s spaces maintain traces of their industrial past. Fully renovated by architects Jean-Michel Wilmotte and Qingyun Ma in 2007, it is a space capable of hosting international exhibitions of the highest caliber. Artists include: Chen Zhen Chu […] >> Read more

So Guy Ullens is leaving the UCCA, selling his collection, lamenting failures and withdrawing from China. Does it really matter? Is UCCA such an important institution? Should a foreign-owned museum be attempting to define the debate about contemporary art in China? Or is Ullens just running away from failure? >> Read more