randian | 燃点

Section 39_Index XXXVII: Traboulsi stems from Walid Raad's interest and research into AAA's Ha Bik Chuen Archive. During his 2014 residency at AAA, Raad was introduced to the work of Ha Bik Chuen. Raad immediately realised Ha's affinity to one of his fictional collaborators, Suha Traboulsi. >> Read more

Asia Art Archive presents Les Louvres, a talk by Walid Raad as a preview to Section 39_Index XXXVII: Traboulsi, his project for AAA’s special anniversary programme series 15 Invitations. >> Read more

Raad’s works never seem to fully convey information; rather, they are a curious combination of truth and fiction (and it’s never really clear just what is truth and what fiction) presented as taxonomy of events, an archive of remnants, or a collection of objects... >> Read more

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more

Asia Art Archive (AAA) presents a fundraising auction of 75 works of art generously donated by local and international artists, patrons, and galleries for the 2016 Fundraiser. >> Read more

[22 September, 2016] Nanjing, China: Nanjing International Art Festival (NJIAF), >> Read more

I try to understand how an artist, a designer, an architect, a writer, a poet, or any other “creative” individual should go about this kind of activity in order to bring his or her own work and practice into this kind of context. >> Read more

The "eighth climate" of the exhibition's title refers to a state one might reach using imaginative capacities. >> Read more

Steyerl's work is so cogent because, as a provocateur, she is able to coherently foreground the mechanisms of art that have long been buried and ignored. As Steyerl herself says: Too Much World. >> Read more