randian

2015.09.24 Thu, by

Wang Jianwei’s solo exhibition: “Dirty Substance”

Wang Jianwei’s solo exhibition, “Dirty Substance” is a compiled “rehearsal”, in that it records the past two to three years of the artist’s work; while continuing his practice, he is continuously suspicious of established facts, and presenting it in this new body of work. >> Read more

2015.04.30 Thu, by

Begging to Differ: Two Critics on Wang Jianwei’s “Time Temple”

It can happen that exhibition reviews are worth reading not only in relation to the show in question, but also—or more so—when pitted against each other. >> Read more

Artist profiles, 2015.04.02 Thu, by

The Map and the Territory: A Very Brief Introduction to Wang Jianwei

As such, the progress of Wang Jianwei’s work is not a development in the conventional sense; neither it is it a sequence of repetition. More accurately, it is a system of mutually reinforcing extensions of art propositions and their variations... >> Read more

Interviews, 2014.12.12 Fri, by

Entering History: Wang Jianwei

Randian interviews Dr. Alexandra Munroe, Ted Lipman and Dr. Thomas J. Berghuis about Wang Jianwei’s “Time Temple” — part of a five-year initiative by the Guggenheim Museum and the Robert H. N. Ho Family Foundation to promote current Chinese art... >> Read more

Interviews, 2014.10.29 Wed, by

Guggenheim Museum Presents Wang Jianwei: Time Temple, New Works by the First Commissioned Artist for The Robert H. N. Ho Family Foundation Chinese Art Initiative

Guggenheim Museum Presents Wang Jianwei: Time Temple, New Works by the First Commissioned Artist for The Robert H. N. Ho Family Foundation Chinese Art Initiative >> Read more

Interviews, 2013.10.29 Tue, by

Wang Jianwei Wins Major Guggenheim Commission

Wang Jianwei has been announced as the first artist to be commissioned by the Guggenheim, thanks to a Robert H.N. Ho Family Foundation grant. >> Read more

Interviews, 2013.09.03 Tue, by

Wang Jianwei Solo Exhibition

Wang Jianwei solo exhibition opens at LONG MARCH SPACE, 14 SEP。...the event matured, accomplished in sight of all non-existent human outcomes. >> Read more

Artist profiles, 2013.03.06 Wed, by

The Lethe Machine — Yang Fudong and Wang Jianwei

As consumers of cinema, as addicts, we mainline film’s nostalgia, the way it seduces our caved Platonic souls to believe in brusque impressions. We feel the awkwardness of cinematic ghosts, even empathize with them, blinding ourselves like Oedipus.... >> Read more

Artist profiles, 2020.12.26 Sat, by

“The Tides of the Century” at the Ocean Flower Island Museum

More than 140 works of diversified cultural backgrounds, made by over 80 artists from 23 countries including Greece, France, South Korea, Cameroon, USA, Japan, Thailand, Venezuela, Singapore, Iran, Italy, India, UK, Vietnam, and China, will be displayed during the exhibition. >> Read more

Artist profiles, 2019.01.16 Wed, by