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2017.06.07 Wed, by

Guan Xiao, Daniel Keller, Katja Novitskova – Hybrid Layers – ZKM, Karlsruhe

For her second solo exhibition at the gallery, Beijing-based artist Guan Xiao (b. 1983 in Chongqing, China) looks at rapidly changing urban environments as they are transformed through the speed and influx of economic development and technology. Living Sci-Fi, under the red stars engages in an ecosystem built by humans. A place where the old […] >> Read more
Think, 2016.12.02 Fri, by

Telofossils, Network Hybridity, and the Politics of Pleasure in Speculative Realism

For a world that we cannot perceive, what does it matter whether it exists or not? Perhaps you can further demonstrate that, though an autonomous world is imperceptible, it can still think for us. Yet in this sense, such a world becomes one stipulated by human thought, and ultimately cannot escape the fundamental relationship between thinking and being. >> Read more
Think, 2016.05.05 Thu, by

Japan-Taiwan: Cross-Cultural Yearnings at Aura Gallery

In the 1980s, photographers Juan I-Jong and Suda Issei traveled to the other’s country in search of fresh photographic subjects. >> Read more
访谈, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
访谈, 2018.05.08 Tue, by

XU ZHEN®
Perrotin, Seoul

Perrotin Seoul is pleased to present a solo exhibition by Chinese artist Xu Zhen, featuring major works spanning the development of his flagship art brand, XU ZHEN®, since 2013. >> Read more
访谈, 2017.06.12 Mon, by

Xu Zhen in Paris

Memes and power, language and sex, politics and history are all fodder for louche anthropological experiments in Xu Zhen’s first major solo show in France which recently opened at Perrotin in Paris. “Civilization Iteration” develops themes of cultural hybridity (including sexual and evolutionary) first exhibited in the exhibition in 2009 that launched his corporate alter-ego […] >> Read more
访谈, 2015.07.31 Fri, by

Ni Haifeng solo exhibition Asynchronous, Parallel, Tautological, et cetera…

(中文) 2015 年 7 月 31 日至 9 月 2 日 星期一至星期六,上午 10 时至下午 7 时 藝術門,香港中环毕打街 12 号毕打行 6 楼 香港-藝術門画廊将呈献驻於阿姆斯特丹和北京的艺术家——倪海峰的个展。 >> Read more
访谈, 2014.08.14 Thu, by

Gonkar Gyatso: Pop Phraseology

Gonkar Gyatso, Tibet’s pre-eminent contemporary artist whose personal, political and often humorous work bridges Eastern and Western culture, will present his solo exhibition, Pop Phraseology, opening 18 September 2014, in Hong Kong at Pearl Lam Galleries. >> Read more
访谈, 2012.11.05 Mon, by

From the (Ridiculously) Sublime to the (Sublimely) Ridiculous

Paul Gladston and Ge Si Di in conversation about the Shanghai Biennale, Geng Jianyi at Minsheng Museum, and Jacques Derrida's "Glas". >> Read more
访谈, 2021.02.18 Thu, by

Lindy Lee at MCA Australia, Sydney
Replicas, postmodernism and ‘bad copies’

Grainy, velvety black photocopies of famous faces – portraits by Jan Van Eyck, Rembrandt, Ingres, Artemisia Gentileschi and others from the western art historical canon – were arranged in rows or grids. They gazed out from behind layers of acrylic paint, or wax that had been partially scraped back. >> Read more

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