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Commentary, 2016.08.11 Thu, by

The Difference Between Two Smiles: Gentrification in Beijing

I try to understand how an artist, a designer, an architect, a writer, a poet, or any other “creative” individual should go about this kind of activity in order to bring his or her own work and practice into this kind of context. >> Read more
Commentary, 2018.05.14 Mon, by

Open Call: Banyan Commune Artist Residency Project 2018-2019

Banyan Commune is a unique phenomenon of community life and civil culture in southern China, a gathering place traditionally served as a community center for the neighborhood. >> Read more
Commentary, 2018.03.20 Tue, by

Migratory Practice

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more
Commentary, 2017.11.02 Thu, by

New Pleasure
Simon Lee Gallery, New York

The advent of the home studio in the 1970’s democratized both music and art, >> Read more
Commentary, 2017.08.04 Fri, by

A4 Art Museum in Chengdu: Beyond the Edifice and the Artifice

A4 seems to grasp the concept of a museum in a holistic way. They see the museum not as merely an exhibition hall, a landing strip for some exhibition created elsewhere, shipped in like a travelling circus. >> Read more
Commentary, 2017.05.08 Mon, by

Community Hosptial’ exhibition in Shanghai

No one has ever called the process of urban renewal considerate. >> Read more
Commentary, 2017.02.16 Thu, by

What, and How to Forget?
Review of the 2016 Taipei Biennial “Gestures and Archives of the Present, Genealogies of the Future”

As the by-product of international expositions, the biennial/triennial/multi-ennial model not only shapes the development of modern and contemporary art history, it is also intimately tied to the course of modernity... >> Read more
Artist profiles, 2016.10.03 Mon, by

Re-Presenting Martin Wong: Memories of a Not-So-Distant Past

Martin Wong was a storyteller, often prefacing descriptions of his works with quips like “There’s a long story to this painting,” before going into versions of his autobiographical account of the details behind the scenes he’d craft. >> Read more
Artist profiles, 2016.09.19 Mon, by

Luke CHING For now we see through a window, dimly

30 September – 5 November 2016 Opening: Friday, 30 September 2016, 6 – 8 pm Gallery EXIT, 3/F, 25 Hing Wo Street, Tin Wan, Aberdeen, Hong Kong Hours: Tue – Sat, 11 am – 6 pm Gallery EXIT is excited to announce “For now we see through a window, dimly”, a solo exhibition of early […] >> Read more
Artist profiles, 2016.05.28 Sat, by

LA, the New Art Frontier

It is a mistake to compare LA with New York, Beijing or London, because Los Angeles is what they are not. It is their idiosyncratic counterpoint. >> Read more

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