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Interviews, 2013.02.05 Tue, by

The Laughing Gallerist

Interview with Tina Keng, founder and Executive Director, Tina Keng Gallery >> Read more
Interviews, 2012.12.13 Thu, by

A Great Laugh, A Glorious Death

“L’Ombre du Fou Rire" is a survey of the work of Yue Minjun currently on show at the Fondation Cartier in Paris. Through 40+ paintings spanning his oeuvre from its early stages to the present, audiences may witness Yue’s artistic practice — its grimacing faces a favorite image in the media and market — at first hand. Randian editor Iona Whittaker met Yue Minjun at his Beijing studio.... >> Read more
Think, 2021.05.11 Tue, by

A PhiloPhotoPoetics of Emptiness, Its “Shadow-Tracing” (摄影): A Roundtable Conversation with Gabriela Morawetz & Kyoo Lee

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more
Think, 2021.02.18 Thu, by

Will Thurman ‘Life Paintings, Volume 1: 2015-2020’
Galerie Quynh, Ho Chi Minh City

by Quyen Hoang Will Thurman ‘Life Paintings, Volume 1: 2015-2020’ Galerie Quỳnh (118 Đường Nguyễn Văn Thủ, Đa Kao, District 1, Ho Chi Minh City) Oct. 20­ – Dec.12, 2020 In this fervent age of over-exposure on social media, mystery is a rare commodity. Will Thurman’s solo exhibition presents an intriguing scenario by requesting its visitors to leave their phones […] >> Read more
Interviews, 2020.12.16 Wed, by

Ashley Bickerton
Seascapes At The End Of History

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more
Interviews, 2020.11.03 Tue, by

Werner Büttner and the Invention of BAD Painting

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more
Interviews, 2020.07.26 Sun, by

Guo Hongwei: Among the People

Online viewing room Chambers Fine Art is pleased to announce a new online exhibition featured exclusively on the ADAA Member Viewing Rooms entitled Guo Hongwei: Among the People. Since Things, his first exhibition at Chambers Fine Art in 2009, Guo Hongwei’s primary focus has been on painting although in The Great Metaphorist in 2014 he […] >> Read more
Interviews, 2020.07.04 Sat, by

Alex Katz interview

Now in his 9th decade, Alex Katz is one of the greatest living artists. Yet Katz remains in a category of his own. We spoke with Katz by telephone about influences, recent shows and the key model for his entire oeuvre, his wife and muse of 60 years, Ada. >> Read more
Interviews, 2020.05.28 Thu, by

Eyes on the Prize: The Inaugural 2020 Sigg Prize
Interview with Uli Sigg, Suhanya Raffel, M+ Director, and winner Samson Young

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more
Interviews, 2020.03.07 Sat, by

Phantoms and Aliens
The Invisible Other (Chapter 3)

Taking the lead from pervasive beliefs and superstitions in Southeast Asia about otherworldly beings, Phantoms and Aliens | The Invisible Other broadens the perception of phantom as invisible spirit to explore another, subtler dimension of invisibility, that is, social invisibility originated in discrimination and alienation. Featuring works that span documentary photography and oral history, to painting, mixed-media and video installations, the overarching focus of the exhibition is to consider the invisible other in society: the people, or communities, that live on the margins because of ethnic, religious or cultural differences. These individuals are but phantoms, alienated from the wider society - they are invisible, yet, they exist. >> Read more

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