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2017.03.19 Sun, by

CHRISTOPHER WILLIAMS
“Open Letter: The Family Drama Refunctioned? (From the Point of View of Production)”
David Zwirner
London

Born in Los Angeles in 1956, Christopher Williams has been represented by David Zwirner since 2000. Open Letter: The Family Drama Refunctioned? (From the Point of View of Production) is his eighth solo exhibition with the gallery, and his second presentation at the London location. >> Read more
2012.06.05 Tue, by

A Letter from Kiev

On the First Kiev Biennale of Contemporary Art >> Read more
Artist profiles, 2011.09.19 Mon, by

Love Letters

Often the view of these tiled areas is so centred, perpendicularly or from above, that the perspective vanishes, with the depth-of-vision flattening to almost nothing, bringing the stains and discolorations to the fore. These public-personal spaces, simultaneously places of hygiene and pollution, >> Read more
Interviews, 2020.06.16 Tue, by

Simon Mordant
Contemporary Collector, Modern Philanthropist

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more
Interviews, 2020.03.16 Mon, by

Chen Tianzhou ‘Backstage Boys’ at BANK Shanghai

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more
Interviews, 2019.09.16 Mon, by

Not Vital
Galerie Urs Meile Lucerne

In Not Vital’s art, everything is out of place, yet precisely where it belongs. >> Read more
Interviews, 2019.06.05 Wed, by

Jiang Zhi
Hypocenter
Magician Space, at Löwenbräukunst, Zurich

Magician Space is honored to present Hypocenter, a solo exhibition in Zurich of works by Chinese artist Jiang Zhi at Zurich Art Weekend. Active since the 1990s. >> Read more
Interviews, 2019.05.28 Tue, by

Marilyn Minter
Simon Lee Gallery

Simon Lee Gallery is proud to present the European premiere of New York-based artist Marilyn Minter’s video work My Cuntry, >> Read more
Interviews, 2019.04.18 Thu, by

Book Review: Why Only Art Can Save Us: Aesthetics and the Absence of Emergency by Santiago Zabala

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more
Interviews, 2019.04.13 Sat, by

Ways to Get Closer to It—The Inner Flesh of Time—In the Age of Consumable Desires

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more

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