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2020.03.16 Mon, by

Chen Tianzhou ‘Backstage Boys’ at BANK Shanghai

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more
2020.01.15 Wed, by

Gallery Weekend Kuala Lumpur 2019

The breadth of Malaysia’s small but energetic art scene took center stage last November for the fourth edition of Gallery Weekend Kuala Lumpur. >> Read more
2020.01.13 Mon, by

Natee Utarit & Nadiah Bamadhaj
Richard Koh Fine Art, Singapore

To inaugurate its 10-year anniversary celebration in Singapore, Richard Koh Fine Art (RKFA) kicks off the year with two special solo presentations by Natee Utarit and Nadiah Bamadhaj. RKFA is pleased to announce two highly anticipated exhibitions titled DÉJÀ VU: Your Past is My Future by Natee Utarit (b.1970) & Dreaming Desire by Nadiah Bamadhaj (b.1968) at RKFA Singapore. >> Read more
2019.11.08 Fri, by

Art Taipei 2019 Review

Before I catch my connecting flight back to Rome, I briefly note down my impression of Art Taipei. “It’s both very young, with the  insecurities and optimism of an adolescent, and very old, with the relaxed attitude of someone who has seen a lot and is a pinch senile”. >> Read more
2019.05.02 Thu, by

Tony Albert
‘Wonderland’
Sullivan & Strumpf Sydney

Tony Albert’s Wonderland throws into question the historical framework of the global misrepresentation of First Nations peoples. >> Read more
2019.03.23 Sat, by

Saan Dung Gei
Blindspot Gallery

Blindspot Gallery is pleased to present Lam Tung Pang’s first solo exhibition at the gallery, “Saan Dung Gei”. >> Read more
2019.03.08 Fri, by

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more
2018.10.31 Wed, by

Samson Young
“The highway is like a lion’s mouth”
Edouard Malingue Gallery (Shanghai)

Samson Young’s 2018 solo exhibition at Edouard Malingue Gallery (Shanghai) entitled The highway is like a lion’s mouth follows from the English translation of a slogan that is familiar to Hong Kongers. >> Read more
2017.11.29 Wed, by

A Chemical Love Story: Hallucinatory Masks

Much has happened in Beijing a few months back, but looking over shows large and small there hasn’t been much to show for, other than “social shows” that you can’t really make head or tail out of, shows that lack daring. Ran Dian invited Bian Ka to talk about his ideas in his own show, “A Chemical Love Story”… >> Read more
Interviews, 2017.10.21 Sat, by

FIAC, Paris 2017
Interview with Jennifer Flay, director

FIAC opened this week with 192 galleries exhibiting from 29 countries. Ran Dian spoke with Jennifer Flay, FIAC's director. >> Read more

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