randian | 燃点

Simon Lee Gallery is proud to announce a solo exhibition by the London-based Portuguese artist, João Penalva. For his first solo exhibition in New York since 2002, Penalva presents two new series of work based on photographs taken at the São Carlos National Theater, in Lisbon, Portugal, that explore the physical mechanics of theatrical fictions and illusions. >> Read more

Simon Lee Gallery, London, is pleased to present En Plein Air, >> Read more

Following successful treatment programs at Tate Modern, Delfina Foundation, London, at the New Museum Triennial in New York, at the Zürcher Theater Spektakel, at Atelier Hermès in Seoul and the Nam June Paik Art Center, Yongin, Geumhyung Jeong brings her revolutionary rejuvenating styling and grooming regime to Berlin. With product demonstrations and new beauty techniques, participants will be introduced […] >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more

"Reconstruction of Deconstruction" is an experimental project by artist Yao Hai to re-conceptualize and understand the boundaries of art with installation, space and live performance. >> Read more

David Zwirner is pleased to present new and recent work by Isa Genzken, on view at the gallery’s 533 West 19th Street location. >> Read more

Paul Kasmin Gallery is delighted to present three simultaneous projects celebrating the work of formative “pop-surrealist”, Mark Ryden, this March 2018 in Hong Kong. >> Read more

David Zwirner is pleased to present two major new works in forged steel by Richard Serra. Recent drawings by the artist will be on view in the gallery’s second floor exhibition spaces. >> Read more

Final presentation of the Proposals to Surrender exhibition curated by Biljana Ciric >> Read more

An a thousand-metre sea of blue tape stretches across the entrance to the gallery: tensely pulled at one metre or so above the ground, the viewer is invited yet challenged to step in, actively marking their entrance as opposed to passive frequentation. >> Read more