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2014.09.09 Tue, by

Luke CHING - Screensaver- Gallery EXIT

Gallery EXIT is pleased to present Screensaver - Luke CHING's first solo exhibition with the gallery, also the artist's solo exhibition in Hong Kong since the past seven years. >> Read more
2020.11.14 Sat, by

British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper

(中文) 上海其他画廊十年拖欠艺术家近 44,000 英镑及作品 16 件 >> Read more
2020.09.03 Thu, by

Takashi Murakami:“Michel Majerus Estate”

The Michel Majerus Estate is delighted to present Takashi Murakami: Michel Majerus Superflat, curated by Tobias Berger. >> Read more
2020.04.20 Mon, by

The End of the World

Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> Read more
2019.07.17 Wed, by

restaged
Klemm’s, Berlin

This visual essay combines footage from a series of musical performances, both private and public, >> Read more
2019.06.26 Wed, by

restaged
KLEMM’S

My Ecstasy is Your Rapture, 2019 >> Read more
2019.06.17 Mon, by

“Soulmates” at HB station

Being said, in comparison to her predecessors, JY purposely steps back from being an “artist as a creator” to “artist as an observer,” deploying a meticulous and reserved manner to scrutinise the system. >> Read more
2019.05.20 Mon, by

Manuel Ocampo
Ideological Mash-Up/Remix
STPI Gallery, Singapore

Responding to a global culture of image production and consumption in flux, >> Read more
2019.05.08 Wed, by

RYAN GANDER
‘I see you’re making progress’
Lisson Gallery, Shanghai

Following a successful exhibition, ‘Human/Non Human/Broken/Non Broken,’ at collector David Chau’s Cc Foundation in 2017, this is Ryan Gander’s second solo show in Shanghai and features work in a variety of media, from time-based animation and a holographic piece, to free-standing sculptures and portrait paintings created since 2016. >> Read more
2019.03.08 Fri, by

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

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