randian | 燃点

HONG KONG - de Sarthe Gallery is proud to unveil a new gallery space in Wong Chuk Hang. Encompassing 10,000 square feet and spread across the entire 20th floor in the Global Trade Square building, >> Read more

Chronus Art Center (CAC) is pleased to present an afternoon event consist of a screening of experimental film Sonic Rituals created by sound artist Mei Zhiyong, and a sound performance by Mei Zhiyong and The Mustangs in Social Modulatorwe. >> Read more

Vanishing Deconstructions See+ Gallery, Beijing, China December 05, 2015–January 30, 2016 Organizer: Hua’er, Director of See+ Gallery Moderator: Antonie Angerer Translator (Chinese): Zwei Fan Date: December 04, 2015 Q (aka Kyoo Lee, hereafter Q): Thanks, everybody, for being here. Special thanks to Hua’er for organizing this event, Antonie and Zwei for moderating and translating, and […] >> Read more

Stroll along the city's waterfront and discover the opening of the "Tomorrow's Park" - Oh Bay Art Project >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

(中文) 展览“一园六季”从“六季花园”这个真实存在于加德满都的园林出发，围绕着“景观”“土地”“身体”及“治疗”等多条线索，整理出了一份联结着地方历史与当下现实的档案。 >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more