randian | 燃点

This exhibition by Liu Chuanghong is called “Xing’an West Art Group” , a story that does not exist anymore, in which the artist attempts to fight against the time and history with imagination. >> Read more

INK studio is proud to present Flesh and Bone, a comprehensive survey of internationally renowned artist Li Jin’s early works, >> Read more

The British artist Maggi Hambling’s first exhibition in China, “FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-”, will open on March 8th, 2019 at Central Academy of Fine Arts Museum (CAFAM) in Beijing. Maggi Hambling, who is 73-year-old now, gained an international reputation in the 1980s and it […] >> Read more

On the 12th of January, 2019, MadeIn Gallery will launch “Robert Song” an exhibition by Ding Li, marking the first solo exhibition of the artist in the gallery. Fusing painting experiments of the past few years - from the exploration of the media and matter, to the gradual clarification of its language - this exhibition will feature a new series of works, mostly portraits, presenting a new visual language created from brushstrokes. >> Read more

Tina Keng Gallery is pleased to present the solo exhibition Abstraction Contextualized, exploring the oeuvre of pioneering master George Chann and his abstract expressionist works. >> Read more

Tang Contemporary Art is proud to announce the opening of Yang Jiecang's solo exhibition “Six Two Zen” on September 1, 2018, in the 2nd space of Beijing. >> Read more

In celebration of its fifth anniversary, for summer 2018 OCAT Xi’an orchestrated a special focus on “Xi’an”, its art, culture, and geography present and past, through a large-scale, expanded presentation of the Xi’an Showcase project. >> Read more

Uzumaki is the name of a Japanese manga published from 1998 to 1999. Its author Junji Ito used the shape of a spiral as a form of horror. Spirals are generally regarded positively in Japanese society, so the challenge of Uzumaki was to take the mysterious pattern as larger than humanity’s capability for understanding and twist it into a terrible force. >> Read more

“We will fight with all our might the fanatical, senseless and snobbish religion of the past, >> Read more

As part of China’s standard art education, drawing or painting from life is considered practice - it is mere preparation for a final ‘meaningful’ creation. Yet, Wang Zhibo’s works purposely linger, or rather, continuously return to this condition of practice. >> Read more