randian | 燃点

As Groys notes in the opening passage of his essay, “On the New”, “We experience art history first of all as represented in our museums.” One might add, to be glib with Marx—and why not? —, secondly as farce. >> Read more

Li’s paintings are the sum of numerous apparent contradictions: between materiality and flatness; the painterly and the sculptural; abstractness and narrative; the actual and the virtual; aestheticization and anti-auratic dislocation; vaulting ambition and bodily limitation. >> Read more