randian | 燃点

I got completely lost on my way to "An Evening", the marathon of vernissages organized in Singapore’s new art district, the Gillman Barracks... >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

“我们为什么在做我们正在做的事？”三潴画廊近期的摄影展这样问道，这可以被视作是质疑摄影存在性基础的一种缩影。然而，诚如展览描述所言，这对于一次关注非常多元的摄影实践的群展而言，是一个简洁的框架，并且与摄影展览通常情况下的那些复杂缠绕但又泛泛而谈的主题形成了反差。 >> Read more

Sullivan + Strumpf is pleased to present its first solo exhibition in its Gillman Barracks space titled, Gravity Tractor, by renowned Australian artist, Sam Leach. >> Read more

Lorenzo Rudolf talked to Randian about the need for a stronger non-commercial scene (including museums) in Southeast Asia, better bridges and connections throughout the region, and how he will continue to keep his eyes on China. >> Read more

If the Gallery’s debut permanent exhibitions are any indication, there’s a clear mission to articulate coherent art historical narratives.
 
 
 
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Manila’s contemporary art scene is often described as “dynamic,” but one wonders at the implications of the word’s overuse—and whether, in this case, if it can be fairly applied to all levels of art practice in the Philippine capital... >> Read more

Randian talked to Lorenzo Rudolf about his SHContemporary days and his observations of the Shanghai art scene. He also discussed the challenges (and potential) of operating in Singapore, and the reasons behind some of the curated exhibitions ArtStage has pushed in the fair. >> Read more

The eponymous solo exhibition by Stephan Balkenhol at Arndt in Singapore stands cleanly out from the crowd. 
 
 
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Contemporary art exhibitions often assert that urban environments increasingly influence human development and experience; man’s relationship with nature is a far less frequent topic of exploration. Edward Clydesdale Thompson’s intense engagement with landscape and gardens through art therefore felt somewhat novel here. >> Read more