randian | 燃点

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

(中文) 摄影的魅力是观众的阅历体验与摄影师灵感的碰撞，观众在展览中找到某一种经历，某一种情绪的落脚点，达成共鸣，摄影的意义由此存在，展览的意义也在于此。 >> Read more

(中文) 高远策划的“基底”展览或许是个提醒，无论它的成与败，都在提醒我们应把更复杂的社会现实作为基底，在此之上思考艺术与创造，我们必须主动卷入艺术史与现实纠缠的漩涡中， 而非仅仅陷于形式的自恋与作茧自缚中。 >> Read more

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more

Chambers Fine Art is pleased to announce the opening on January 24, 2018 of Adrift: Cao Yi, Li Qing, Yi Xin Tong, and Zhao Zhao. The exhibition examines the current urban landscape of China with megacities unimaginable in scale just a few decades ago, through the work of four young artists intimately familiar with this period of rapid change. >> Read more

The Rockbund Art Museum Shanghai will present the first large-scale solo exhibition in China by the Belgian artist Francis Alÿs, “La dépense,” from November 9, 2018 to February 24, 2019, curated by Yuko Hasegawa. >> Read more

(中文) 前些年，中国的艺术研究只是体现在部分展览和艺术项目中，如今可以在不少艺术家的创作里嗅到，它伴随受欧美教育的一批年轻艺术工作者回归来势凶猛。“研究”受艺术生产者追捧，特别能代表今天艺术正在经历的，一场更大范围的整体转型。 >> Read more

Tang Contemporary Art is proud to announce the opening of Yang Zhenzhong's solo exhibition “Surveillance and Panorama”on September 1, 2018, in the first space of Beijing. >> Read more

Any set of random numbers that are deprived of their contexts are imbued with meanings. >> Read more

Chen Chieh-jen’s new exhibition “A Field of Non-field” is a show that demonstrates refinement, not only in its sleek, grey visual effects, but also in the artist’s work combing through and neatly displaying the contextual relationships that exist between every single element in the exhibition—and on top of this, all of it done to the tune of his concise aesthetic temperament: solemn, neutral, calm. >> Read more