randian | 燃点

(中文) 作为一名多媒体艺术家，施勇（1963年生于上海）的创作涉及行为艺术、装置、影像和雕刻，其不拘一格，风格迥异的作品背后往往体现了其对文化、经济，以及艺术界的深刻剖析。 >> Read more

ShanghART Gallery is honored to present Shi Yong’s new solo exhibition “Under the Rule” on the second floor of the Westbund space on 27th September. This exhibition continues the concept of the artist’s solo exhibition held in 2015. Shi Yong takes “the combined words of violence and modification” (such as dismantling, cutting, welding, shaping and […] >> Read more

ShanghART gallery is pleased to present ShanghART S-Space opening exhibition- on 4th March. This exhibition will last until 8th May. >> Read more

(中文) 没顶画廊很荣幸呈现施勇积淀已久的个展《让所有的可能都在内部以美好的形式解决》。 >> Read more

The affirmation of the value of individual life, and the constant affirmation of other rights on this basis, allows the boundary of "freedom" to expand, and creativity thus continuously flows, actively refreshing the cognition, and the world of experience grows accordingly. >> Read more

London, August 22, 2017: With less than one month until the opening of its fourth edition, PHOTOFAIRS | Shanghai today announces the prominent Chinese collectors and their artworks for its new Collectors’ Exhibition alongside the complete 2017 gallery list. >> Read more

ShanghART Gallery is pleased to present group exhibition Physical Theatre at 1F, ShanghART Westbund from August 9 until September 10 with 12 artists’ photography works. Physical Theatre, taking “physical body” as the starting point, intends to reveal the close relations between the individuals and the reality on the basis of artists’ perspectives as well as […] >> Read more

Emerging after the Cultural Revolution, Chinese contemporary photography has more than forty years of history. This exhibition is divided into four sections: “The Rise of Unofficial Photography (1976–1979)”, “New Wave Photography (1980-1989)”, “Experimental Photography (1990-2006)”, and “The Development of Experimental Photography Organizations (2007-present) ” >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

People crowd the raft of empty Coke cans and Pepsi bottles. Tourists, clubbers, musicians, students, sun bathers. Protestors are matched with actors, mendicants with diners, a photographer and his model with a mugger and his victim. The flag is red, the sky is grey, but unlike Delacroix’s "original", there is no ship on the horizon, blind or otherwise. >> Read more