randian | 燃点

对于“性别的暴力”的审视，总是在未进入真正讨论之时已经陷入一种无法讨论的境地——任何试图对性别产生作用的评述，经由身体和文化的建构，都会反作用于评论者自身，成为一种自诘式话语的变体。 >> Read more

Gallery EXIT is pleased to announce "VIOLENCE ON DEMAND", >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇，创作者在雾中迷失、低吟高唱，在她以感官展开的画卷里，山体长着血脉，表现在痛苦中挣扎的情感；房屋是毕露的线条，释放出包裹或缠绕的明亮；动物们目光空洞、身体脆弱，多半没有耳朵。同样，她以缤纷的色块和线条声张她简明而灿烂的直觉领域，然而她情感的世界却深沉而阴郁，与身体的感官联系深刻，不能轻易的揣度。 >> Read more

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

Today, our reservoir of desire is not simply the unconscious mind. “Participation Mystique” situates itself within this reconfiguration of desire. In this immense mirage of their making, the artists use various sensory perceptions to tease out our desire, allowing us to be in touch with the pain and excitement of loss, accident, damage and violence, thereby recognizing the profound spiritual ties between us and the world. >> Read more

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more

"Photography Reforged" refers to Cai Dongdong's reflection, >> Read more

Galerie Urs Meile Beijing is pleased to announce artist Ju Ting's >> Read more

‟Liquefied Sunshine | Force Majeure” is a dual solo exhibition by Hong Kong artists, >> Read more