randian | 燃点

David Zwirner is pleased to present its first exhibition with William Eggleston since having announced the gallery’s exclusive worldwide representation of the artist. >> Read more

randian 燃点 recently chatted over e-mail with Colin Chinnery, the director of the Multitude Art Prize, about the operation and aims of the Prize.
 
 
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Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

一楼展示的米利亚姆·卡恩 (Miriam Cahn) 作品犹如神典的开篇，创作者在雾中迷失、低吟高唱，在她以感官展开的画卷里，山体长着血脉，表现在痛苦中挣扎的情感；房屋是毕露的线条，释放出包裹或缠绕的明亮；动物们目光空洞、身体脆弱，多半没有耳朵。同样，她以缤纷的色块和线条声张她简明而灿烂的直觉领域，然而她情感的世界却深沉而阴郁，与身体的感官联系深刻，不能轻易的揣度。 >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

Goldenrod by ZHENG Bo opens as the inaugural exhibition at the new ICA at NYU Shanghai >> Read more

(中文) 亚洲艺术双年展（简称亚双展）是由位于台中的国立台湾美术馆主办，今年已是第七届，首次邀请两位知名艺术家担任策展人，分别是台湾的许家维与新加坡的何子彦。此次以“来自山与海的异人”为主题，重新梳理来自16国共30组的艺术家创作脉络。 >> Read more

(中文) “我们已经到了这样一个节点，首先看到的不是艺术而是空间。 >> Read more

Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century. >> Read more

In the process, you go somewhere and somelsewhere elastically, even a tiny bit. While inhabiting a ritual, one lives in and through time, via an odd interval sliced open and stitched back together. >> Read more