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2017.12.18 Mon, by

Between Heaven and Man: Cai Zhisong 2017 Solo Exhibition
Shanghai Minsheng Art Museum

On November 26th, 2017, Shanghai Minsheng Art Museum hosted the grand opening of Between Heaven and Man: CAI Zhisong 2017 Solo Exhibition. >> Read more
2017.08.23 Wed, by

Originality, Diversity and Independence: Call for Submissions to the Fourth International Awards for Art Criticism (IAAC 4)

The International Awards for Art Criticism Ltd. (IAAC) launches the fourth edition of their Awards this month (IAAC 4) and will announce their new competition rules, awards system and members of its international jury at a press conference to be held at the Shanghai Minsheng Art Museum on 2 June 2017. >> Read more
2016.06.17 Fri, by

Annual Review Exhibition of China Contemporary Ink Painting 2015-2016

(中文) 2015年,被业界称为“中国当代水墨发展关键性一年”,也是繁荣、衰落、转折、调整、重生的一年,在这样的大背景之下,我们有必要全面、系统、务实的对其做一个阶段性的梳理; >> Read more
2015.09.30 Wed, by

The Robert H. N. Ho Family Foundation Greater China ResearchGrant 2015 grantee: Lu Mingjun

The Robert H. N. Ho Family Foundation Greater China Research Grant offers the grantee a one-year fellowship to conduct research on contemporary art from China, >> Read more
思考, 2014.01.30 Thu, by

Reining in Ink Art: Revivalism in the Year of the Serpent

Much as the Beijing winter has been very mild this year, overall, the art of the past year has also felt rather milder and more sentimental from previous years. Let us then explore the production and exhibition of this “old” contemporary art in the contemporary Chinese art world. >> Read more
思考, 2013.07.09 Tue, by

Illusion/Image — Contemporary Chinese Ink Art Series I

(中文) 作为蜂巢当代艺术中心2013年度有关当代水墨主题的系列大型展览项目之一,著名学者沈揆一策划的“幻象:中国当代水墨大展Ⅰ”,试图对中国当代水墨创作领域中富有探索创新精神的群体及其实践活动,作一次归纳性的梳理与呈现, >> Read more
History & Theory, 2009.03.09 Mon, by

Spheres of Influence

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more