randian | 燃点

(中文) “后疫情”正在变成陈词滥调，新常态才是人们不知不觉中沉浸的现实，而当时过境迁之后，这些项目及个中“碎片”所蕴含的密码也就容易提取了。到那个时候，到底“艺术项目”是不是艺术的问题就不重要了。 >> Read more

(中文) 近10年来的中国当代艺术展览的空间观念主要呈现以下几方面的趋向，主要表现可以概括为：绘画作品展陈的空间化和装置化；作品与场所的意义叠加，独立空间的兴起；扩展场域的展览：作品和展览的跨媒介性与在地性；走向虚拟空间。 >> Read more

Legendary British artist Sara Lucas has come to China. A part of the Young British Artists generation, Lucas still maintains the spontaneous drive of that era in her work today. >> Read more

Greco Grand Palais ( 3 Avenue du Général Eisenhower, 75008 Paris) Oct 16, 2019 – Feb 10, 2020 Ran Dian: So what was it like? * Thomas Eller: It was like walking around in a book. Not an exhibition. Interesting for historians though but with some really bad paintings, but revealing. There was one master piece, which […] >> Read more

(中文) 它们在繁华与寂寥、权力与规训、国家与个人的两极穿梭，不间断地继续着比赛，而这正是“比赛继续，舞台留下”的意义。 >> Read more

Zhou Dunyi, a famous ideologist in the Northern Song dynasty, mused in his Tai Ji Diagram that at the beginning of the universe it was Wuji, >> Read more

(中文) 高远策划的“基底”展览或许是个提醒，无论它的成与败，都在提醒我们应把更复杂的社会现实作为基底，在此之上思考艺术与创造，我们必须主动卷入艺术史与现实纠缠的漩涡中， 而非仅仅陷于形式的自恋与作茧自缚中。 >> Read more

AIKE is delighted to present “The Atonal River”, a group project includes works by Hu Yun, >> Read more

Esther Schipper is pleased to announce The Light Pours Out, Martin Boyce's first solo exhibition with the gallery. >> Read more

The pictures of stocky women in ballet dresses, engrossed in play, have almost become shorthand for Paula Rego’s pictures. But glance through any book on her and one immediately remarks the extraordinary diversity of her art… >> Read more