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2017.11.16 Thu, by

Why Pan Yuliang?

Were it not for the list of artists and the brief introduction, “Pan Yuliang: A Journey to Silence” probably would have misled most into thinking it was a modern art show in a contemporary art institution. >> Read more
2016.11.26 Sat, by

Art Sanya

(中文) 2016年第五届三亚艺术季“不隅之见”将于2016年12月16日在海南三亚 如期开幕。 >> Read more
2016.07.22 Fri, by

BIG TAIL ELEPHANTS: One Hour, No Room, Five Shows

The curators’ focus on Big Tail Elephant’s role in the art world in Guangdong, and indeed the rest of China, has everything to do with the particular regional specificity of the Pearl River Delta. >> Read more
2015.04.04 Sat, by

Roman Ondák: Storyboard

Storyboard is the first solo exhibition of the Slovak artist Roman Ondák in the greater China region, and the largest survey of this artist to be held in an Asian non-profit institution. >> Read more
2015.01.30 Fri, by

Osage Art Foundation presents - JUST AS MONEY IS THE PAPER, THE GALLERY IS THE ROOM

Fayen d’Evie and Nicholas Tammens from 3-ply, together with Shi Yong, will be invited to contribute a dialogue covering aspects of the exhibition Lets Talk About Money: >> Read more
2015.01.14 Wed, by

Discussion | Do We Deserve Radicality?

“Radicality” is one of the most arresting parts of modern and contemporary art. The discussion will ask where radicality is nowadays within the contemporary art context and whether we need it. >> Read more
2015.01.06 Tue, by

I HAVE ISSUES, DEAL WITH IT- LV YANXIANG -1933

(中文) 《这里没有风景》是国际当代艺术家弗拉基米尔·尼科利奇在继广东时代美术馆以后,2015年新年之初在上海的首次个展。 >> Read more
2014.12.02 Tue, by

Seven Days in Shanghai

This fall, Shanghai’s profusion of events made it almost seem like the central hub of contemporary art in China. Here is an overview of what happened—with more coverage to come later. 
 
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2014.11.21 Fri, by

Active Withdrawals-Life and Death of Institutional Critique

Active Withdrawals-Life and Death of Institutional Critique. Book Launch and Conversation (English/Chinese event with simultaneous interpretation) >> Read more
2014.09.11 Thu, by

Art of an Uncertain Time

Side-by-side but dispersed seems a good description of young Chinese artists’ practices. It is up to others—critics, say, or viewers, curators, art historians—to make connections, to identify themes in artists’ practices, but it is worth noting how little their preoccupations, at least in this small sample, are in dialogue with each other... >> Read more

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