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2019.02.21 Thu, by

Axel Vervoordt Gallery Hong Kong Announces Move to New Gallery Space in Wong Chuk Hang

Axel Vervoordt Gallery is relocating to an expanded two-level space in Wong Chuk Hang, the dynamic artistic hub on the south part of Hong Kong Island. >> Read more
2018.09.01 Sat, by

Jeremy Everett
Proposal For A Defective Monument
Edouard Malingue Gallery, Shanghai

A slab of marble, a material associated with beauty, opulence, civilisations, tumults down a quarry, >> Read more
2015.04.22 Wed, by

Breaking the Image – Methods in the Treatment of Imagery by Contemporary Artists from China About to Open at Sishang Art Museum

(中文) 3个生动直率的主题,62位参展艺术家,240余件作品。昔日少年已成主人,中国当代艺术的语言逻辑如何浸入到艺术家的生命过程和思考抉选中?寺上美术馆“破图集——中国当代艺术家处理图像的方法”展静候来宾,共同观看…… >> Read more
2014.06.09 Mon, by

(中文) 多维之观

“新媒体艺术”这一特定的短语和其概念在过去的数十年间无数次的被人们提及和听取。关于 “新媒体艺术”的定义和语境的学术讨论也从未彻底平息过。在关于 “新媒体艺术”的话语范畴中重要的一个里程碑似的事件可以追溯到早至十九世纪早期照相术的发明和推广,这种“新媒介”的出现在国际范围内的艺术和科学领域都激起了人们极大的兴趣。 >> Read more
Interviews, 2011.03.16 Wed, by

Answering the Question: What is the Chinese Avant-Garde?

Zhai Zhenming in Conversation with Paul Gladston. >> Read more
Interviews, 2010.12.25 Sat, by
History & Theory, 2010.09.09 Thu, by

The Double Way

Since the late 1980s, contemporary Chinese art has gained an increasingly high profile within the international art world. This profile has accrued for four substantive reasons: first, because of the sometimes highly innovative way in which producers of contemporary Chinese art have sought to combine/hybridize attitudes, >> Read more