2014.10.30 Thu, by
Rhizome announces the Inaugural Prix Net Art Awardees: Jodi & Kari Altmann

Repost from Rhizome.org:

After extensive deliberation, the Prix Net Art jury—comprising curators Michael Connor, Samantha Culp, Zhang Ga, and Sabine Himmelsbach—is proud to announce that inaugural $10,000 Prix Net Art is awarded to artist duo JODI, with a $5,000 Award of Distinction granted to Kari Altmann. Explore their work below.
Repost from Rhizome.org:

Jury Statement:

The internet is more than just a canvas, medium, or publishing platform for art. The internet is a system that links human and machine intelligence to produce politics, economics, culture, and subjectivities. To make “internet art” is to intervene in, or participate mindfully in, these processes.

For this inaugural edition of the Prix Net Art, the top award was given in recognition of the rich tradition of web-based art. Following the release of the first widely used web browser in 1993, a number of artists embraced the web for its aesthetic and political possibilities, particularly as a way of reaching far-flung publics with a minimum of resources. JODI were key figures in this generation, often disrupting the web—its HTML and other code—in order to make its processes and effects more transparent. Throughout their careers, they have remained committed to the internet, in its changing forms over the years, as a contested and vital site for artistic practice.

The Award of Distinction, in contrast, is given this year in recognition of future directions and possibilities for internet art. Kari Altmann’s practice is especially important in regard to the changing role of the artist in a highly networked culture. Referring to her practice as “based in the cloud,” she works as an artist embedded within internet culture, forming collaborations and sharing images across Tumblr, Instagram, and other social media platforms and apps. Altmann works fluidly across the web and the gallery space, considering each artistic medium as another kind of file format, and each artwork as a node in an evolving, collaborative, and networked system in which she is also a node.

While the selected artists have differing approaches—and, in fact, are only two examples of possible practice in a field defined by diversity of form—they both reflect a sophisticated understanding of the internet not simply as a space or an object, but as a series of processes. Through intervention and participation, they find ways to make these processes more comprehensible, and to contest and critique their effects.

ABOUT JODI

JODI, or jodi.org – a Netherlands-based artist duo comprising Joan Heemskerk (1968, the Netherlands) and Dirk Paesmans (1965, Brussels) – pioneered web-based art in the mid-1990s. By radically disrupting the conventions and functions of systems such as webpages, computer programs, video and computer games, mobile apps, and other digital technologies, JODI’s work destabilizes the relationship between computing technology and its users. JODI continue to work in the widest possible variety of media and techniques, from installations, software and websites to performances and exhibitions.

JODI’s work is featured in most art historical volumes about electronic and media art, and has been exhibited widely at venues such as Documenta-X, Stedelijk Museum, ZKM, ICC (Tokyo), CCA Glasgow, Guggenheim Museum (New York), Centre Pompidou, Eyebeam, FACT (Liverpool), and Museum of the Moving Image (New York), among others.

ABOUT KARI ALTMANN

Kari Altmann (1983, USA) is an American artist who works fluidly across multiple platforms and formats. Working in an online ecosystem of memes, brands, trends, algorithms, prosumer software, and other communal imaging systems, Altmann creates, tracks, and intervenes in microgenres of content that constantly evolve through her own online management. Her work often uses survival fantasy aesthetics from various sources to create new imagery that pushes this visual logic to its extremes. She circulates the resulting images back through her social networks, where they generate new meanings and versions. A resulting work can take many forms, from a reproducible meme to an installation of objects and performers to an audio mix. Altmann is one of the most influential artists involved in recent discourse around the term “post-internet” and its offshoots.

Recent featured projects include a solo web commission, Soft Mobility Abstracts, for the New Museum, New York; “Extinction Marathon” for Serpentine Gallery, London; and “Art Post Internet” at Ullens Center, Beijing. She has done projects for and with Art Dubai, The Goethe Institute, Fade to Mind, Rhizome, Mixpak, Dis Magazine, Nero Magazine, and many more. She also collaborates with peers in many industries as an artist, creative director, and ghost producer.

Further information and selected works by the artists on Rhizome.org