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Venue
Fost Gallery
Date
2016.05.14 Sat - 2016.06.26 Sun
Opening Exhibition
Address
1 Lock Road #01-02, Gillman Barracks Singapore 108932
Telephone
+65 6694 3080
Opening Hours
Tue to Sat 11am-7pm
Sun 11am-6pm
Closed on Mondays & Public holidays
Director
Stephanie Fong
Email
info@fostgallery.com

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From Bukit Larangan to Borobudur: Recent Drawings by Jimmy Ong
[Press Release]

FOST Gallery is pleased to present From Bukit Larangan to Borobudur: Recent Drawings by Jimmy Ong.

The exhibition is in conjunction with the publication of the same title, by respected art historian and critic TK Sabapathy. The exhibition will feature a selection of the expansive, narrative drawings of imagined historical scenes that are the subject of the publication, it will include several drawings borrowed from private collectors.

The title of the publication is derived from Jimmy Ong’s pictures. Bukit Larangan (the earlier, historical name for present-day Fort Canning in Singapore) and Borobudur are wellsprings for the narrative and symbolic content for a number of pictures. They also constitute poles for signifying locations for Jimmy Ong’s life, beginning in Singapore and now residing in Yogyakarta, Indonesia. Borobudur and Bukit Larangan are thematic drives for examining his recent pictures.

Jimmy Ong’s creative practice is defined by the human figure and by drawing. These are constants. The pictures shown here have expanded and complicated the twin foundations of his art. Changes or transformations have been spurred by binding interests in narrative; this is new.
Whereas figures in earlier works are autonomously dominant, now they dramatise events and encounters between individuals derived from history and mythology; these representations require elaborate depictions of landscape.

When we examine these aspects, Jimmy Ong’s pictures may be connected with the historical art traditions in Southeast Asia in which narrative is predominant. In looking at these aspects too, Jimmy Ong’s works may be related to modern and contemporary representations of narrative in Southeast Asia which have yet to be explored. Intimations of these connections are proposed here.