Axel Vervoordt Gallery Hong Kong is proud to present a solo show dedicated to Ida Barbarigo’s paintings from the early 1960s.
Ida Barbarigo (Venice, 1920) has a restless and curious nature, which encouraged her to spend her time wandering and roaming around en plein air in Venice and Paris. During these ecstatic walks throughout the city she experienced sudden revelations, extemporaneous encounters. Her paintings are the outcome of a series of jottings taken from life, notes of the places and scenes that captivate her most, such as cafés, terraces and squares. These walks are steeped in the ephemeral: morphologies of air slipping through the voids. She entitled these works “Passeggiate” (Walks): “I am fascinated by the strange way that a line can break away from the landscape. That point of rupture between a visible thing and something you cannot see. And it is the air that passes through it.” Some of her works are entitled ‘Passeggiata elettrica’, they refer to the electricity-charged tension in the space of her canvas.
Ida Barbarigo tries to capture the magnetic fields of her surroundings. These paintings are like an authentic calligraphy of impertinence. She worked on this subject repeatedly, from 1961 to 1976, in a series of oils and small watercolours in which the chair is treated as a structural, compositional element.
“Why chairs? I see in them the rhythms and structures that I find indispensable for the spaces that I unconsciously invent (…) it is an instinct that draws me towards those cafés and the chairs on the terraces, suspended above the water, seeming to be slumbering in the sun, wrapped up in mist.”
