Shanghai—Pearl Lam Galleries is pleased to present Materialised Sentiments, a group exhibition that features a diverse range of artists, including Chen Yufan (b. 1973, China), Chun Kwang Young (b. 1944, Korea), Sayaka Ishizuka (b. 1980, Japan), Pino Pinelli (b. 1938, Italy), Ren Ri (b. 1984, China), and Yinka Shonibare MBE (b. 1962, UK). Visually appealing and varied in style, Materialised Sentiments takes the physical qualities of painting, sculpture, and installation works as a starting point, aiming to reveal diverse sentiments that lie in specific choices of material.
When material comes to the forefront, it reveals an ever immediate, direct, and intimate relationship between object and artist, while concealed within is a long-standing enquiry into human nature and unforgettable experiences of history that still hold their effects in the present day. As a reaction against the grand narrative of Modernism, contemporary art since the 1990s has focused on the ‘small’ or microscopic, the everyday, and the sphere of personal experiences, whereas objects or materials have played an intermediary role, rooted in reality and connected to the vision of freedom and imagination. A panoramic view of time emerges from the ‘smallness’ of materials.
Shanghai—Pearl Lam Galleries is pleased to present Materialised Sentiments, a group exhibition that features a diverse range of artists, including Chen Yufan (b. 1973, China), Chun Kwang Young (b. 1944, Korea), Sayaka Ishizuka (b. 1980, Japan), Pino Pinelli (b. 1938, Italy), Ren Ri (b. 1984, China), and Yinka Shonibare MBE (b. 1962, UK). Visually appealing and varied in style, Materialised Sentiments takes the physical qualities of painting, sculpture, and installation works as a starting point, aiming to reveal diverse sentiments that lie in specific choices of material.
When material comes to the forefront, it reveals an ever immediate, direct, and intimate relationship between object and artist, while concealed within is a long-standing enquiry into human nature and unforgettable experiences of history that still hold their effects in the present day. As a reaction against the grand narrative of Modernism, contemporary art since the 1990s has focused on the ‘small’ or microscopic, the everyday, and the sphere of personal experiences, whereas objects or materials have played an intermediary role, rooted in reality and connected to the vision of freedom and imagination. A panoramic view of time emerges from the ‘smallness’ of materials.
Deeply immersed in Japanese Shinto tradition with the belief of spirituality of everything in nature, at the heart of Sayaka Ishizuka’s artistic practice lies a tacit sensitivity to the small, commonplace objects in which are embedded the stories and histories of lived cultures.
Taking as her medium objects unremarkable in their ready availability or often-overlooked presence in daily life—rice, thread, chopsticks, and discarded household items—and paying heed to the social and cultural associations they carry, Ishizuka’s works subtly transform these items into leitmotifs for interconnectedness in the broader sphere of human existence.
Ren Ri works in the unique medium of beeswax, creating, in collaboration with the insects, mesmerising sculptures that document his intimate experience with bees as both an artist and a beekeeper. He manipulates the movement of bees and the formation of honeycombs to create metaphysical and hybrid sculptures, which investigate the force of nature and consequences of human intervention. As stated by the artist, “The duality of interactions between the human body and the bees is not simply in the physical sense; more importantly it hints at an interrelated force and its counterforce.”
Chen Yufan is inspired by Daoist and Zen Buddhist philosophies, which he turns into a personal interpretation and meditation through a repetitive process of incorporating dots, regular lines and pure colours. Throw it in the Air is a painting installation that utilises the randomness of chance. Fragments of ceramic tiles are remoulded and regrouped in red copper in his works, imbuing his abstraction with both poetic mysteriousness and objecthood that connects to the cyclical life of materials.
About Pearl Lam Galleries
Founded by Pearl Lam, Pearl Lam Galleries is a driving force within Asia’s contemporary art scene. With over 20 years of experience exhibiting Asian and Western art and design, it is one of the leading and most established contemporary art galleries to be launched out of China. Playing a vital role in stimulating international dialogue on Chinese and Asian contemporary art, the Galleries is dedicated to championing artists who re-evaluate and challenge perceptions of cultural practice from the region. The Galleries in Hong Kong, Shanghai, and Singapore collaborate with renowned curators, each presenting distinct programming from major solo exhibitions, special projects, and installations to conceptually rigorous group shows. Based on the philosophy of Chinese Literati where art forms have no hierarchy, Pearl Lam Galleries is dedicated to breaking down boundaries between different disciplines, with a unique gallery model committed to encouraging cross-cultural exchange. Contemporary Chinese Abstract art is heavily represented in the Galleries roster. Influential Chinese artists Zhu Jinshi and Su Xiaobai, who synthesise Chinese sensibilities with an international visual language, are presented internationally with work now included in major private and public collections worldwide. The Galleries has also introduced leading international artists such as Jenny Holzer and Yinka Shonibare MBE to markets in the region, providing opportunities for new audiences in Asia to encounter their work. Pearl Lam Galleries encourages international artists to create new work which engages specifically with the region, collaborating to produce thought-provoking, culturally relevant work.
