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Venue
GALLERY EXIT(安全口画廊)
Date
2012.11.24 Sat - 2012.12.22 Sat
Opening Exhibition
11/24/2012 17:00
Address
SOUTHSITE, 3/F, Blue Box Factory Building, 25 Hing Wo Street, Tin Wan, Aberdeen, Hong Kong 香港 香港仔 田灣 興和街 25 號 大生工業大廈 3 樓
Telephone
+852 2541 1299
Opening Hours
Tuesday - Saturday, 1100 - 1800 (except public holidays; or by appointment)
星期二至六, 早上11時至下午6時(公眾假期除外;否則請致電預約)
Director
Email
info@galleryexit.com

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The Chronicle of Disappearance
[Press Release]

Group exhibition with Huang Minyin, KONG Chun Hei, Yiu Wing KONG, Hoi Sin Lam, Ma Qiongzhu.

[Press Release]

Gallery EXIT presents The Chronicle of Disappearance a group exhibition featuring works by LAM Hoi Sin, KONG Chun Hei, KONG Yiu Wing, Ivy Ma and Christine NG Mien Yin.

The exhibition takes its name from the film “Chronicle of a Disappearance” by Palestinian director and actor Elia Suleiman. Dealing with themes of liminality, loss and disappearance, the movie develops through a series of seemingly unconnected cinematic tableaux. Similarly this exhibition explores different notions of disappearance articulated across the conceptual, personal and social realms. Through procedures of imperfections, erasures, augmentations and rewritings the featured works are individual portrayals of absence and dissociation from reality. Each of these tableaux offer a rich elaboration of erasure as a way of appropriating ones own personal history, memory and presence.

Interpretive drawings by LAM Hoi Sin continue to explore the ambiguities of found images through which the original subsumes into disappearance. Dust and Scratches (No Blank) by KONG Chun Hei is a looped projection of ten monochromatic drawings of image-less film. The work underscores the abundance of information and the possibility of ontological existence in an alleged void. KONG Yiu Wing’s hallucinatory screenprintpaintings based on satellite cartography defy the issue of life under constant scrutiny through overlaying, superimpositions and effacement. Ivy Ma explores the interstice of perpetual remembering through acts of erasure in her palimpsest drawings. Christine NG Mien Yin re-appropriates nature, by deletion of human presence in her print transfers of Hong Kong landscape, resulting in surreal visualizations of an imagined reality.