Chief Curator: Ai Min
Academic Adviser: Wang Min’an
Artists: Chen Shaoxiong, Chen Wei, Chen Xiaoyun, Geng Jianyi, He Xiangyu, Hong Hao, Hu Jieming, Leng Guangmin, Li Bangyao, Li Jinghu, Li Qing, Li Xiaofei, Liu Chuang, Liu Jianhua, Liu Wei, Liu Weijian, Liu Yujia, Liu Zhuoquan, Ma Qiusha, Mao Xuhui, Qin Qi, Qiu Xiaofei, Shang Yang, Song Dong, Song Yuanyuan, Sui Jianguo, Wang Luyan, Wang Yin, Wang Yuyang, Wu Hao, Xiao Yu, Xu Zhen, Xue Song, Yan Bing, Yang Xinguang, Yang Zhenzhong, Yin Qi, Yin Xiuzhen, Wei Honglei, Yu Ji, Zhang Enli, Zhang Yaping, Zheng Guogu, Zhuang Hui
Shanghai Minsheng Art Museum is pleased to present The System of Objects, a group show by Chinese contemporary artists. Featuring 44 artists whose practice varies from painting, sculpture, installation to video and animation, the exhibition shown on the ground floor of the museum will be open to public on March 29 and run through June 28, 2015.
During the past few years, object has triggered more and more discussion among the realms of cultural theory and contemporary philosophy. Such discussion could be generally categorized into two patterns. One is a cultural and political pattern, according to which the contemporary society has entered a stage of massive accumulation of objects. Being the most prominent sign of the consumer society, objects due to its strong autonomy are imposing substantial pressure on man, leading to the emergence of a new kind of fetishism. Under the influence of commodity fetishism by Marx, Walter Benjamin and Georg Lukács in early 20th century and Roland Barthes and Jean Baudrillard in late 20th century all treated object as an important topic of study. The other is a philosophical pattern. For long philosophy has considered objects as a realm intricately and inevitably connected with man. When talking about objects, we refer to objects from the perspective of man. It’s pointless to talk about objects if not taking man into consideration. Such is the simplest description of the relation between man and object since Kant and Heidegger. However, today’s young and radical philosophers put forward “Speculative Realism”, advocating that objects have their own domain and can be liberated from man’s perspective and its connection with man. Objects have the domain, destiny and noumenon of their own. An object-oriented ontology is under formation.
In the light of the above theory and with an insight into the development of Chinese contemporary artistic practice concerning “object”, Shanghai Minsheng Art Museum selected some of the most representative object-related artworks created by Chinese contemporary artists during the past two decades. Collectively they compose the “system of objects” of Chinese contemporary art, casting light on artists’ pondering on objects, changes in people’s view about objects, the development and destiny of objects in contemporary Chinese society, and most fundamentally, how man manages to establish his own image through his connection with objects.
In conjunction with the exhibition, talks and lectures under the theme of “object” will be presented. Moreover, an international symposium under the name of “Theories of Objects” will be organized during the exhibition.
Founded by China Minsheng Bank and open to the public in 2010, Minsheng Art Museum in Shanghai is committed to the promotion of Chinese contemporary art and the presentation of the trends and status quo of Chinese contemporary art. The exhibition intends to further the development of contemporary art in China and present a big picture of the ongoing evolution of today’s contemporary artistic practice.
