(中文) 大多数情况下,在当今商业化程度甚高的艺术界,一个画家没有找到个人符号并固定下来,有可能是他眼界有限,接触时代的面儿太窄,加之不善归纳、不够博闻强记;还有一种可能恰恰相反:接触的东西太多,入时代之戏太深,而忽略了“艺术家”的职业角色。倪军显然属于后者。
>> Read moreInternet and smart phone technologies have led to sweeping change in society in our lifetime, forcing us to wrestle with new modes of thinking about and experiencing time, space, and speed, whereby our intellectual and emotional responses to past, present, and future are constantly shifting.
>> Read moreThe last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress.
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