randian | 燃点

by Quyen Hoang Will Thurman ‘Life Paintings, Volume 1: 2015-2020’ Galerie Quỳnh (118 Đường Nguyễn Văn Thủ, Đa Kao, District 1, Ho Chi Minh City) Oct. 20­ – Dec.12, 2020 In this fervent age of over-exposure on social media, mystery is a rare commodity. Will Thurman’s solo exhibition presents an intriguing scenario by requesting its visitors to leave their phones […]

(中文) 展览“一园六季”从“六季花园”这个真实存在于加德满都的园林出发，围绕着“景观”“土地”“身体”及“治疗”等多条线索，整理出了一份联结着地方历史与当下现实的档案。

(中文) Yonemoto兄弟的录像《好莱坞制造》是展览“制作中”最漫长的一件。

I stood at the entrance to Jakarta’s Museum of Fine Arts and Ceramics one fine day, and instantly I was transported to another time in a past every born-and-bred Jakartan of a certain age would remember.

The HdM gallery is currently hosting an exhibition of French artist Martial Raysses’s works on paper. Born in 1936 in a ceramicist family, Raysse is perhaps one of the most important and well-known artist of the contemporary art French scene.

(中文) 从2017年开始，美术馆增强投入，从每年3位艺术家增长至10多位艺术家，更在今年为驻留艺术家的创作专辟了展览与工作空间——A4国际艺术家驻留基地，并提出了“在地性”与“国际性”两个理念作为驻留项目的主题。

(中文) 摄影的魅力是观众的阅历体验与摄影师灵感的碰撞，观众在展览中找到某一种经历，某一种情绪的落脚点，达成共鸣，摄影的意义由此存在，展览的意义也在于此。

In 2019, Zheng Bo once again introduced the “workshop” into his exhibition Goldenrod held at the Institute of Contemporary Arts at New York University in Shanghai. “Eco-Socialist Garden” is a project that includes workshops, architectural models, and printed material. Zheng Bo invited a group of volunteers from different professional fields and divided them into two groups.