randian | 燃点

Since opening ShanghART in the lobby of a hotel in Shanghai in 1996, Lorenz has been friend and mentor to scores of artists, including Ding Yi, Zeng Fanzhi, Yu Youhan, Zhao Bandi, Xu Zhen, and Birdhead, among many others. Sardonic and understated, Helbling’s Swiss roots are routinely noted but as Zhou Tiehai comments, “Lorenz has long been one of us”. >> Read more

For a long time ShanghART’s home was the M50 art district, on the banks of Suzhou Creek, a much smaller version of Beijing’s Dashanzi 798. Galleries at M50 would come and go but ShanghART’s presence, along with the mostly local artists it represented—including Ding Yi, Zhang Enli and Xu Zhen—remained constant. >> Read more

The King and I is a journey across space and time. It is about a far away Palace and its imaginary stories, transposed like a labirynth or a dream to Shanghai. >> Read more

ShanghART is thrilled to present “20”, a special exhibition including 20 art works by 20 artists at Fosun Foundation opening on 20 December. >> Read more

For a long time M50 and Moganshan Road was Shanghai’s (very) little 798 District. It was the cynosure of art production, with ShanghART and major artists like Zhang Enli and Xu Zhen long-term residents. But ShanghART has moved to the new West Bund cultural district, as has Aike Dell’arco and MadeIn Gallery. More than once […] >> Read more

ShanghART is thrilled to celebrate its 20th anniversary and the inauguration of its new gallery building located in West Bund with a major group exhibition titled Holzwege. >> Read more

“Studio” brings together twelve of China's most prominent contemporary.By exploring their studios and working conditions through each artist's own lens, the source of their creative output is put on display... >> Read more

Art Basel Hong Kong is an annual chance to visit galleries whose programs don't always reach beyond the region. >> Read more

A few years ago I saw Li Wenguang’s works at the James Cohen Gallery and was attracted to his unconventional practices: >> Read more

Chris Moore reports on the most "English" of fairs >> Read more