randian | 燃点

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

In 2019 Han Feng moved with his family from Shanghai to Berlin. After establishing his new studio, he began working on a new series of paintings in which the support – the ‘stretcher’ – comprises an object, usually a household item Han Feng found in a junkshop in the city >> Read more

Jumping and whooping, men swept by in costumes covered in fabric petals, their bodies thawed into fluttering colors. It took Andy a moment to realize that their swollen, red features and black, hollowed eyes belonged to wooden masks. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

Ran Dian spoke with Henrik Lindberg, CEO, architect and part of the LINDBERG design team. >> Read more

This Spring, Hambling will exhibit for the first time in China, at the Central Academy of Fine Arts Museum in Beijing. Ran Dian met the artist at her London home to discuss the show. >> Read more

The pictures of stocky women in ballet dresses, engrossed in play, have almost become shorthand for Paula Rego’s pictures. But glance through any book on her and one immediately remarks the extraordinary diversity of her art… >> Read more

Sitting at a small table in the Lehmann Maupin booth at Art Basel Hong Kong, Chris Moore spoke with Rachel Lehmann about how she became involved with art, galleries and Hong Kong. >> Read more

In the first days of summer, Tianzhuo Chen came to Berlin to open up his hybrid universe, Zhuangzi's dream of the butterfly. >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more