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2019.04.02 Tue, by

Dhaka Art Summit – Programme Announcement – 7-15 February 2020

Samdani Art Foundation announces Seismic Movements: Dhaka Art Summit 2020, the fifth edition of the bi-annual research and exhibition platform focused on art and architecture connected to South Asia, to be held from 7 - 15 February 2020 in the Bangladesh Shilpakala Academy. >> Read more
2019.03.08 Fri, by

Forget the Future: The 6th Guangzhou Triennial

The last two decades of precipitous change have provided much grist for recent exhibitions, artist talks, and essays. The pre-eminence of digital technologies in society, the unpredictable advances in biotechnology and Artificial Intelligence, and irreversible environmental degradation encapsulated under the banner of the Anthropocene all speak to a certain disquiet towards unproblematic notions of progress. >> Read more
访谈, 2019.03.06 Wed, by

The eye, the hand and the heart.
An interview with Maggi Hambling

This Spring, Hambling will exhibit for the first time in China, at the Central Academy of Fine Arts Museum in Beijing. Ran Dian met the artist at her London home to discuss the show. >> Read more
访谈, 2018.11.27 Tue, by

Trong Gia Nguyen
The Last State
Richard Koh Projects (RKProjects)

Richard Koh Projects (RKProjects) is pleased to announce The Last State, a solo exhibition by Trong Gia Nguyen at Richard Koh Projects, Unit A, 3rd Floor, N22 Art Warehouse, 2198/10-11 Narathiwas Road Soi 22, Chong Nonsi, Yannawa, 109210 Bangkok, Thailand from 1 – 20 December 2018. The opening reception will be held on 1 December 2018 (Saturday), from 5 – 8pm. >> Read more
访谈, 2018.11.15 Thu, by

What to let go?
Para Site’s 2018 International Conference

This year’s edition of Para Site’s International conference is interested in the renewed discussion throughout the world, often marked by symbolic actions if not yet by government policy, affecting what gets counted within the category of heritage, and who gets to do the counting: from the increasing debate around repatriation of looted artefacts by colonial powers to the varied and dissimilar processes of renaming and removing symbols of past eras, from India and Myanmar to Confederate America and Apartheid South Africa. >> Read more
访谈, 2018.10.22 Mon, by

Heteroglossia
HOW Art Museum

HOW Art Museum (Shanghai) is pleased to present Heteroglossia, our forthcoming exhibition which will be on view from November 7, 2018 through February 17, 2019. >> Read more
访谈, 2018.09.01 Sat, by

Jeremy Everett
Proposal For A Defective Monument
Edouard Malingue Gallery, Shanghai

A slab of marble, a material associated with beauty, opulence, civilisations, tumults down a quarry, >> Read more
访谈, 2018.07.22 Sun, by

Undercurrents
Pearl Lam Galleries

Shanghai—Pearl Lam Galleries is pleased to present the summer group exhibition Undercurrents in Shanghai, organized by the galleries’ associate curator Xia Jing. >> Read more
访谈, 2018.07.06 Fri, by

Ho Tzu Nyen: “One or Several Works”

The Ming Contemporary Art Museum is pleased to present One or Several Works, Singaporean artist Ho Tzu Nyen’s first solo exhibition in Mainland China. >> Read more
Interviews, 2018.06.07 Thu, by

A Cubist Portrait of Shi Yong: Artist, Art Worker and Art Collector

(中文) 作为一名多媒体艺术家,施勇(1963年生于上海)的创作涉及行为艺术、装置、影像和雕刻,其不拘一格,风格迥异的作品背后往往体现了其对文化、经济,以及艺术界的深刻剖析。 >> Read more

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