randian | 燃点

2015 is a busy year for Sarkis. Under the curatorship of Defne Ayas, director of Witte de With (Rotterdam, Netherlands), at the 56th Venice Biennale Sarkis created an installation titled "Respiro" for the Turkish Pavilion. >> Read more

Under challenging circumstances, the Moscow Biennale of Contemporary Art opts for a radical format and changes its structure: the Biennale will be condensed into ten days. Artistic, discursive and reflective moments will shape the space. >> Read more

Witte de With Center for Contemporary Art is pleased to announce its upcoming exhibition dedicated to the life and work of Dutchman Hans van Dijk (1946 – 2002). Dai Hanzhi: 5000 Artists outlines his seminal role in Chinese contemporary art. >> Read more

How much translation is needed to bring out relationships between different works? The Part In The Story is an exhibition exploring the transmissive qualities of objects, situations, and storytelling, where one can dissolve into the others. >> Read more

A historical exhibition in two parts, co-commissioned by Ullens Center for Contemporary Art (Beijing) and Witte de With Center for Contemporary Art (Rotterdam), comprising documentary materials and artworks that examine the life and work of a defining figure in contemporary Chinese art. >> Read more

Spring Workshop is delighted to host artist Christodoulos Panayiotou for a two-month residency program (March 25–May 17). Hong Kong’s independent artist-in-residency space Spring will also present a series of events and activities as part of Panayiotou’s residency. >> Read more

Xue Tan interviews Mimi Brown, founder of Spring Workshop, and Heman Chong, curator of Spring Workshop’s inaugural program, Moderation(s). >> Read more

The Westerners are skilled in geometry, and consequently there is no the slightest mistake in their way of rendering light and shade [yang-yin] and distance (near and far). When they paint houses on a wall people are tempted to walk into them . . . Students of painting may well take over one or two points from them to make their own paintings more attractive to the eye. >> Read more